Doulton Lambeth Emily J Edwards Ewer

Description

For sale we have an early beautiful Doulton Lambeth ewer by rare artist Emily J Edwards, dating to 1875. The design work shows early Tinworth influences, however Emily was a very talented artist and brings her own creativity to the piece. Holly leaves hanging from beaded banding, and then a mix of florals and angular motifs to make this an impressive piece. The dotted collars at the base of the neck show influences from Arthur Barlow too, Adorned with a pewter lid, this piece is as authentic and original as they come. A lovely piece for a rare artist who is much rarer to find than other artists due to her short tenure.

Doulton Lambeth Artwork in the 1870s and Emily J. Edwards:

In the 1870s, Doulton Lambeth was emerging as a significant player in the art pottery movement, renowned for its decorative stoneware and innovative artistic techniques. The studio blended traditional methods with contemporary designs, producing highly esteemed ceramic pieces.

Emily J. Edwards:

• Tenure:
  • Duration: Emily J. Edwards’ tenure at Doulton Lambeth was notably brief, spanning the early part of the 1870s. Her career was unfortunately cut short, likely due to illness or her untimely death during this period.
• Artistic Contributions:
  • Specialization: Despite her short tenure, Edwards made significant contributions to the decorative style of Doulton Lambeth. She was particularly known for her intricate and delicate floral designs, employing techniques like incising and slip-trailing to add detailed, textured patterns to stoneware.
  • Legacy: Her work exemplified the meticulous craftsmanship and artistic quality that Doulton Lambeth aimed to achieve, leaving a lasting impact despite her brief period of activity.

Emily J Edwards’ artworks are on display at the V&A Museum in Kensington, London. Please click on the image below to visit the website:

Early 1874 Doulton Lambeth by Emily J Edwards

Condition and authenticity:

The jug is free from any chips, cracks or restoration. The pewter rim is original. Beneath we have Emily’s signature, together with the marks of the assistant and thrower and the Doulton Lambeth oval stamp with the date 1875.