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CH Brannam Sturgeon & Carp Jug 1908

£295.00

C.H. Brannam Barum Sgraffito Fish Jug by Thomas Liverton (1908)

This substantial CH Brannam art pottery jug, dated 1908, is a highly representative example of the Devon-based pottery's Edwardian output. Measuring 17.5cm in height and 25cm across its widest point (including the handle), the vessel features a strong, squat bulbous body, a broad neck, and a sturdy applied handle.

Design and Decoration The jug is finished in a rich, deep green ground and ornamented using the sgraffito technique that became a hallmark of Brannam’s art wares. The primary decoration features a dynamic aquatic motif with two distinct fish: a beautifully detailed carp and a highly unusual, rare depiction of a sturgeon. These central figures are surrounded by stylized aquatic elements, including incised lily pads, undulating pond weed, and swirling water patterns. These accents are picked out in contrasting colored slips of deep blue, pale green, and earthy brown, showcasing a clear Art Nouveau influence.

Condition The item presents in very good, original condition considering Brannam's fragile clay. There is a distinct, triangular loss of glaze located near the head of the carp. Additionally, the rim features a glazed-over imperfection; this is a pre-firing manufacturing anomaly rather than subsequent damage, offering a glimpse into the artisanal firing process. The remainder of the vessel displays age-related wear while retaining a highly vibrant and glossy glaze. No restoration is observed throughout.

Authenticity and Marks The base of the jug is fully marked and authenticated. It is clearly incised with the signature C.H. Brannam Barum, the date 1908, and the design registration number Rd 44561. Crucially for collectors, it bears the distinct TL monogram, identifying the decorator as Thomas Arthur Liverton, one of the pottery's premier artists during this era.

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Martin Brothers Miniature Blue Vase

Martin Brothers Gnarly Olive Jug
Presenting an exceptional, historic gnarly-designed Martin Brothers art pottery jug, measuring approx. 22.5cm in height and 12.5cm in diameter. This piece from a highly sought-after potter features a robust baluster form jug, resting securely on a flared circular foot. Its gnarly silhouette is defined by a bulbous lower body that tapers into a cylindrical neck, culminating in a sweeping pouring lip and an applied, sturdy strap handle.

The jug is characterized by its tactile, heavily ribbed texture, a testament to its hand-thrown origins by eccentric brothers. A rich, dark olive-brown salt glaze dominates the meticulously textured body and handle. This deep, lustrous finish contrasts strikingly against the lighter, biscuit-toned clay left exposed at the rim, the interior, a thin defining band at the shoulder, and the foot. This earthy, two-tone palette masterfully accentuates the horizontal throwing lines that encircle the entire vessel.

Beneath the foot, the unglazed natural clay base proudly bears the authentic, hand-incised cursive signature reading "Martin" and "London", securing its prestigious provenance. Preserved impeccably, this remarkable piece presents in excellent, original, and entirely undamaged condition, making it a museum-quality acquisition for discerning collectors of late 19th and early 20th-century British studio pottery.

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Martin Brothers Early Open Salt

£395.00

Early Martin Brothers Salt-Glazed Open Salt Dish (Circa 1880s)

This distinctive open salt dish, crafted by Robert Wallace Martin of the renowned Martin Brothers pottery, dates to the 1880s and represents a superb example of early British art pottery. The piece features a robust, architectural form with a squared, lobed profile resting on four domed feet.

The exterior is defined by tactile detailing, utilizing a raised, beaded border that frames the upper and lower registers. The flat sides showcase a recessed, vertically fluted arcade motif, which contrasts sharply with the smooth, sweeping curves of the prominent corners. A rich, earthy palette characterizes the dish: the interior basin and upper sections are bathed in a mottled ochre and mustard-yellow glaze, while the lower corner sections exhibit a deep, resonant cobalt blue.

The underside bears the clearly incised signature "Martin Bros, London & Southall," authenticating its early origins. Notably, the base retains a label from the esteemed Whitley Collection, providing highly desirable provenance for the discerning collector.

The dish presents in exceptional, unrestored original condition, free from subsequent damage or repairs. It exhibits small authentic, in-manufacture firing cracks—visible within the interior basin and underside—which are inherent to the early Martin Brothers firing process and do not detract from its structural integrity or historic appeal.

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Martin Brothers Gnarly Olive Jug

£295.00

Martin Brothers Gnarly Olive Jug
Presenting an exceptional, historic gnarly-designed Martin Brothers art pottery jug, measuring approx. 22.5cm in height and 12.5cm in diameter. This piece from a highly sought-after potter features a robust baluster form jug, resting securely on a flared circular foot. Its gnarly silhouette is defined by a bulbous lower body that tapers into a cylindrical neck, culminating in a sweeping pouring lip and an applied, sturdy strap handle.

The jug is characterized by its tactile, heavily ribbed texture, a testament to its hand-thrown origins by eccentric brothers. A rich, dark olive-brown salt glaze dominates the meticulously textured body and handle. This deep, lustrous finish contrasts strikingly against the lighter, biscuit-toned clay left exposed at the rim, the interior, a thin defining band at the shoulder, and the foot. This earthy, two-tone palette masterfully accentuates the horizontal throwing lines that encircle the entire vessel.

Beneath the foot, the unglazed natural clay base proudly bears the authentic, hand-incised cursive signature reading "Martin" and "London", securing its prestigious provenance. Preserved impeccably, this remarkable piece presents in excellent, original, and entirely undamaged condition, making it a museum-quality acquisition for discerning collectors of late 19th and early 20th-century British studio pottery.

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Martin Brothers Gentlemens’ Cigar Lamp

£1,695.00

Robert Wallace Martin Early Gentlemens' Cigar Lamp For sale is this incredibly rare Robert Wallace Martin Gentlemen's cigar lamp. I have only ever seen this example from the Martin Brothers, so I am confident these are rarer than hen's teeth. Presenting as a central oil burner with wick, it has been fitted with finely worked white metal (a silver plate metal) of excellent quality. No wear to the metal to the base layer is evident and it polishes beautifully. Any dullness is a light tarnish that removes easily. Three identical "wands" rest in the protruding wand sections, and each wand and wand seat has matching numbers 1-3 for the wands to know their position. The way the lamp worked was each of three gentlemen took a wand, and using papers from their vespa cases, would wedge the paper into their wand and be able to light their cigars from the comfort of their leather chair, whilst the lamp remained in the centre of the table. Lighting the cigar from a "clean" paper prevented the cigar's flavour from being contaminated by the oil flame from the lamp. Decorated with blue floral designs with a subtle green and blue banding between, the stems rise with a lovely natural green glaze to the silver tops. Set on three bulbous feet, with three layers of small shapes banding each foot, this delightful piece is quintessential late 1870s to early 1880s Martin Brothers! Whilst approximately 14.5cm tall and 9cm across, it is very solid and weighs 710g! Beneath the cigar lamp is the signature of Robert Wallace Martin (R.W. Martin), the figure "8" and then "Southall". This piece is in wonderful orginal condition that is ready to brace any serious collectors collection. Even better if you and the friends enjoy an occasional cigar, as it is a novelty that can be safely and robustly used without fear of damage as it is so well made.

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Martin Brothers Early Small Jug

Martin Brothers Early Stamped Small Jug For sale is this truly delightful early Martin Brothers jug, dated 23-06-1880. Rare to find, this jug is stamped with the early "R.W. Martin Southall" stamp which dates it authentically to 1880. To the top half, the jug has been coloured with a mix of rich brown and light metallic oxides to give the brown an additional sheen to it. Beneath, bandings of small circles and lines separate the brown top section from the framing of the zig-zag simple foliate and flower desgned motifs. A subtle olive-green presents in the centre bandng and onto the jug handle for further contrast to this wonderful early piece. Beneath, the R.W. Martin Southall" stamp is clear as well as the hand-inscribed date of 23-06-1880. This piece is in wonderful orginal condition and is free from any chips, cracks or repairs. It measures 14cm tall by approximately 10.5cm wide including the handle. This is Martin Brothers in its simple authenticity, in wonderful condition. Adding it to your collection will not disappoint and it is a lovely size for a cabinet.

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Robert Wallace Martin Very Early Mustard Pot

Early R.W. Martin Salt-Glazed Mustard Pot (April 1874)

This historically significant salt-glazed mustard pot, measuring 9cm in height and width, represents a rare early work by Robert Wallace Martin. Dated to April 1874, the piece features a squat, bulbous body transitioning to a structured neck and a domed lid with a sculpted finial. It retains its original pewter metal hinge mount, complete with a traditional spoon aperture.

The vessel is heavily decorated, utilizing a deep cobalt blue glaze that contrasts sharply with the textured buff stoneware ground. The exterior displays a vigorous, deeply incised pattern of stylized foliate and fern-like motifs around the lower body. This is complemented by a continuous band of repeating wavy arches at the neck and radiating petal designs upon the lid.

The underside bears the clear, incised signature "R W Martin", alongside the pattern code "A36" and the date "4-74", firmly placing its production in the pivotal early months of Wallace's independent career.

Condition & Restoration Opportunity: While the main body, metal mount, and lid present strongly, the angular handle has sustained four breaks and currently exhibits old, crude adhesive repairs. This presents an excellent, straightforward project for a professional ceramic restorer or a dedicated collector. Once sympathetically restored, this piece will stand as a highly displayable and historically important 1870s artifact.

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CH Brannam Green Fluted Top Vase

Original price was: £100.00.Current price is: £75.00.

C.H. Brannam Barum Sgraffito Bottle Vase (1890)

This striking bottle vase, measuring 15.5cm in height and 8.5cm in width, is a fine representative example of the distinctive sgraffito ware produced by C.H. Brannam at the end of the 19th century. Dated 1890, the vessel is defined by a classic globular body that sharply transitions into an elongated, slender neck, resting upon a short, neat foot rim.

The tactile surface showcases a highly disciplined use of the sgraffito technique, juxtaposing a rich, glossy forest green glaze against a pale, cream-colored stippled ground. The decoration is strictly structured: the shoulder features a bold, radiating striped motif that anchors the base of the neck. The primary body is divided into panels by sweeping, arched green borders that frame stylized, symmetrical botanical and palmette designs. The intricate stippling of the negative space provides substantial depth and texture, typical of Brannam's best art wares.

The underside bears the clearly incised signature "CH Brannam Barum 1890", firmly dating its production. The vase presents in excellent antique condition, retaining a vibrant and lustrous glaze. There is a minor 4mm nibble to the interior of the top rim, which is historically consistent with the fragile nature of the earthenware body and does not detract from the piece's strong display presence.

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Doulton Lambeth George Tinworth Carpenters Bag

£415.00

Rare George Tinworth for Doulton Lambeth – Stoneware Model of a Carpenter’s Bag (c. 1880s–1890s)

This finely modelled stoneware study of a carpenter’s bag is a superb example of the whimsical yet highly skilled designs created under the direction of George Tinworth for Doulton Lambeth in the late Victorian period. Measuring approximately 13.5cm in length and 8.5cm in height, the model is remarkable for both its craftsmanship and detail.

The body of the bag is finished in a warm creamy light brown glaze, while the edges, straps, and handles are picked out in a contrasting darker hue, emphasising the form and adding depth. One side of the bag is richly decorated with Victorian-era woodworking planes, while the opposite side, open and more restrained, reveals only a woodsaw within. On the integrated stoneware plinth, tools of the trade—a mallet to one side and a chisel or file to the other—are carefully arranged, grounding the piece in the world of the Victorian craftsman.

This model captures Tinworth’s hallmark ability to combine utility, charm, and social observation in a single work of art. Pieces such as this, with their humour and realism, were often intended as conversation pieces and today are regarded as rare and highly sought-after examples of Doulton Lambeth artistry.

The base carries the impressed Doulton Lambeth circular mark, together with the initials “EMW”—likely one of the assistants or moulders working under Tinworth’s direction—along with the registration stamp “Rd” and the series number 162583. The piece remains in excellent, unrestored condition, free from cracks or repairs.

A wonderful and rare George Tinworth study, this model exemplifies the creativity and craftsmanship of the Doulton Lambeth workshops at their height and represents a fine acquisition for the discerning collector of Victorian stoneware and Tinworth’s celebrated oeuvre.

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William Moorcroft Flambe Spanish Bowl

Extremely Rare William Moorcroft Flambé Bowl – Spanish Pattern (c. 1910–1916)

This exceptionally rare flambé bowl is a remarkable example of William Moorcroft’s artistry and experimental mastery during the early Burslem period. Measuring 23cm in diameter and 7cm in height, the bowl is decorated in the highly desirable Spanish pattern, one of Moorcroft’s most striking floral designs, introduced around 1910 and produced only for a short period.

The interior reveals the hallmark tubelined decoration, with three large Spanish flowers at the centre and four medium blooms gracefully arranged around the upper edges. The exterior continues this flowing design, displaying three further large flowers evenly distributed around the circumference. The entire piece glows with a rich, iridescent pinkish-red flambé glaze, a finish Moorcroft frequently undertook personally in his kiln experiments. On this example, subtle overfiring to one side provides both visual depth and a tangible reminder of its experimental origins.

The underside is especially striking, showing intense iridescence with oily rainbow hues, reminiscent of a delicate film of light across a surface—an effect unique to flambé glazes of this period. Beneath, the bowl bears no painted signature, though its authenticity is undisputed, confirmed by its important provenance as part of the Moorcroft Museum Collection, where it was catalogued and retains its original label: “Moorcroft Museum, 00461.”

The Spanish pattern itself is historically significant, reflecting William Moorcroft’s early exploration of bold, stylised floral motifs, influenced by the Arts and Crafts movement and Art Nouveau aesthetics. Produced only in the early 1910s and in relatively small numbers, Spanish pattern pieces are today exceptionally rare, with flambé-fired examples being among the most coveted of all early Moorcroft works.

This superb and rare bowl, with its museum provenance, flambé glaze, and iconic Spanish design, represents a true collector’s piece—an opportunity to acquire an object of both aesthetic beauty and considerable historical importance within the oeuvre of William Moorcroft.

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William Moorcroft Small Pomegranate Vase

William Moorcroft Pomegranate Vase – M55 Shape (c. 1910s–1920s)

A beautiful example of early William Moorcroft craftsmanship, this small Pomegranate design vase embodies the timeless charm of Moorcroft’s celebrated Burslem period. Measuring approximately 6.5cm in height and 8cm in width, the vase is modelled in the distinctive M55 shape, perfectly proportioned for display.

The decoration features four richly painted pomegranates, evenly spaced around the rounded body, each enhanced with deep green foliage and clusters of blue-purple berries that provide a striking contrast. The design is crowned with a warm ochre glaze running up to and including the rim—an unmistakable hallmark of Moorcroft’s early Burslem output.

To the base, the vase bears a full William Moorcroft signature in green, together with impressed marks reading Moorcroft, Burslem, M55. The piece remains in excellent, unrestored condition, showing only the fine glaze crazing typical of early Moorcroft pottery, with no damage or repairs.

A lovely, well-balanced example of William Moorcroft’s iconic Pomegranate design, this vase would make a fine addition to any Moorcroft collection or serve as a statement piece in its own right.

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William Moorcroft Small Claremont Vase

Original price was: £295.00.Current price is: £245.00.

William Moorcroft “Claremont” Vase – Shape M55, c.1925
A vibrant and highly desirable example of one of Moorcroft’s most celebrated patterns

This exquisite M55-shaped William Moorcroft vase, dating to the mid-1920s, showcases the iconic Claremont pattern—one of the most sought-after designs in the Moorcroft repertoire.

Encircling the body are ten finely tubelined toadstools, rendered in vivid and varied tones: four rich reds, four warm yellows, and two deep, velvety blues. Each cap is detailed with Claremont’s hallmark speckled surface and beautifully defined gill undersides—an artistic hallmark that makes this pattern so visually captivating. The base colour merges lush green and inky blue glazes, creating a moody, woodland atmosphere that complements the naturalistic subject matter.

To the underside, the vase bears the impressed marks “Moorcroft” and “Made in England”, along with the model number “M55”, confirming its authenticity and period origin.

A small, invisible professional restoration has been carried out to the top rim, precisely between a large yellow and large red toadstool. The restoration is of a high standard, with only a subtle uniformity of colour betraying the repaired area under close inspection. Importantly, the most visually dominant red toadstool sits on the opposite, untouched side, making this piece an outstanding display example.

Compact in scale but striking in design, this Claremont vase is a true collector’s gem—a perfect representation of Moorcroft’s artistry during the golden period of British Art Pottery.

Dimensions: Height: 7cm; Width 8cm
Condition: Professionally restored rim; still displays beautifully

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Doulton Lambeth Florence Barlow Horses Jug

Antique Doulton Lambeth Jug by Florence Barlow, Dated 1874
An exceptional early work by a pioneering female artist of the Victorian ceramic movement

This distinguished Doulton Lambeth stoneware jug, dated 1874, is a rare and early example of the artistry of Florence Barlow, one of the most important female designers of the Doulton studio and sister to the renowned Hannah Barlow.

The jug features a finely detailed upper register adorned with seven sensitively modelled horse heads, each emerging from the clay in low relief and encircled above and below by delicate beaded borders. The rendering of the horses—marked by expressive line and form—is particularly notable, as Florence would soon transition to specializing exclusively in birds, leaving animal subjects like these to her sister, Hannah. This piece therefore captures a brief and significant phase in her artistic development.

The slender neck and lower body are decorated with stylized blue foliate sheaf motifs, set within zigzag and florette borders, creating an elegant interplay of texture and design across the jug’s surface. The decorative vocabulary is restrained yet dynamic, reflecting the sophisticated aesthetic typical of early Doulton Lambeth wares.

To the base, the jug bears the oval Doulton Lambeth impressed mark with the date 1874 to centre, alongside an early version of Florence Barlow’s personal monogram, confirming its authenticity and origin.

This piece stands as a rare and important example of early Doulton art pottery and of Florence Barlow’s formative work. It would make a significant addition to any collection of 19th-century British ceramics or women’s art pottery.

Dimensions: Height: 23cm ; Width: 14cm
Condition: The jug has had an older restoration around the rim, where the blue rim border has been repainted. This has been done to a fair standard but due to the age of the repair, there is some age crackling to the restoration. Three florettes have nibbles or chips. Other than this, the vase is untouched.

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CH Brannam Green Fish Open Salt

For sale we this delightful and cute little CH Brannam "open salt" decorated with two surprisingly detailed fish dating to 1901. This is the work of Frank Thomas, one of the better known artists for the potter. The fish are surrounded by various colourful waterplants. It is a little gem of a piece. Condition Offered in excellent original condition with no chips, cracks or restoration. Authenticity For authenticity, beneath, we have the registration number of CH Brannam, "Rd 44561", the signature CH Brannam Barum, the signature "FT" signifying the work of Frank Thomas and the date 1901.

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Doulton Lambeth Hannah Barlow Cats Biscuit Barrel

For sale we have this outstanding quality Hannah Barlow biscuit barrel decorated with six cats in various states from relaxation to spats! The navy sgraffito work is some of the best we've seen and is a testament to her skills as a master ceramicist at Doulton Lambeth. This piece looks so good we decided to display it for a couple of years before deciding to put it up for sale. The barrel boasts one large work of a sleeping cat, two cats having a stand-off spat, and three others sitting and socialising. Such as endearing piece. The top and bottom borders are bands of mini florettes and blue rush groups repeated all the way around. Two blue lug handles finish the effect on either side. Condition wise, there are a few things to mention here. First, and rather obviously, the lid has gone missing and this is an old replacement lid that came with the piece when we acquired it. The original lid would have been stoneware. Secondly, the top rim has two nibbles (one 5mm and the other 1mm) and the top inside rim also has two nibbles (one 8mm and the other 5mm). The base edge has one 2mm nibble. Other than this, there are no other cracks, chips or any restoration to the piece. The photos clearly show the condition. Beneath, we have Hannah Barlows "HBB" monogram together with the shape code 498 and the Doulton Lambeth cog and "England" present and correct. This places the production of the piece around the early 1890s. If as a collector you can look past the lid and a few nibbles to the tremendous quality of this example, this is a piece that will give you a lot of enjoy.

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William Moorcroft Pomegranate Vase

Original price was: £185.00.Current price is: £145.00.

William Moorcroft Pomegranate Vase (Circa mid-1920s)

Presenting a fine William Moorcroft vase in the highly sought-after Pomegranate pattern, dating to the mid-1920s. Measuring 13cm in height and 9.5cm in width, the vessel features a well-proportioned baluster form with a gently flared rim and a sweeping circular foot. The piece survives in excellent original condition, completely free from chips, cracks, or restoration.

The tube-lined decoration displays the iconic Pomegranate design, featuring a continuous frieze of both whole and open fruit revealing intricately detailed seeds. These are interspersed with lush clusters of rounded berries and trailing autumnal foliage. The vibrant ochre, russet, and deep crimson tones of the pomegranates contrast strikingly against the characteristic inky cobalt blue ground, which transitions subtly to a mottled greenish-ochre toward the upper rim. The high-gloss glaze remains rich and reflective, enhancing the depth of the metallic oxide colors.

The underside displays the impressed factory marks "MOORCROFT" and "MADE IN ENGLAND", alongside William Moorcroft's painted "WM" flash monogram in blue, confirming its authentic mid-1920s production period.

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Martin Brothers Double Ribbed Vase

Original price was: £895.00.Current price is: £695.00.

Double Ribbed Martin Brothers Lustre vase - June 1907 For sale is this really interesting example of Edwin and Walter Martins' organic pottery work. The vase is of subtle bulbous form, with a multitude of thin horizontal ribs and then large pronouced vertical ribs from the waist to the top rim. The Brothers have then applied a rich deep brown / dark grey / black colour with metallic oxide to give a wonderful lustre to the piece. In the photographs, observe the different angles where we try and illustrate the effect. This is a wonderful example of their work and is a most subtle, yet highly competent execution. Condition and Provenance The vase is in excellent original condition, with no chips, cracks, or repairs. A couple of specks on the main body of the vase are small imperfections during the manufacture of the vase. The signature beneath is 100% consistent with period pieces and is marked "6-1907, Martin Bros, London & Southall", again entirely consistent and authentic. See the V&A Museum picture below of a virtually identical example from the same year by Edwin.

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Doulton Lambeth George Tinworth Spears Vase

£385.00

For sale we have this utterly georgous and unusual Doulton Lambeth vase by George Tinworth. It is an early piece made during his most inspired period, dating to 1877. Unlike his most common "signature Seaweed Scroll" design, George has opted to do something different here. He has used the same base design as the seaweed, but made upright frond spears. This is unusual and a far rarer vase for it. Large frilled fronds rise from the base, whilst large straight-edged fronds drop from the neck. Each set of fronds is dissected by a white diamond pattern border, which very unusually have their own foliate edging. The colourway really makes this vase stunning. The spears are in Doulton's gorgeous green, whilst the background is a terrific bold blue. The high shine glaze of the piece sets the colours off as you expect in a high quality piece like this. To finish things off, George has very boldly placed his "GT" monogram at the lower end of the vase between the frond spears. Presented in superb original condition, the vase is stamped correctly beneath with the Doulton Lambeth stamp and dated 1877. It further has the marks of the assistant "E.L.H", all typical of George's work in this period. We cannot iterate enough what a gem this vase is and it will absolutely thrill its new owner!

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William Moorcroft Late Cornflower Vase

For sale is a stunning and substantial Late Cornflower vase by William Moorcroft, dating between 1925-1935. Decorated with eight large cornflowers in pinks and purples, the vase absolutely explodes with colour. Contrasting wonderfully against a white background, it displays extremely well and is an eye catching centre piece. At 9 inches or 23cm tall and with a circumference of almost 20 inches or 50cm, this is a fabulous size and worthy of any discerning collection.

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Doulton Lambeth Agate Ware Jug

Original price was: £125.00.Current price is: £85.00.

Rare Doulton Lambeth Agate Ware Jug with Sterling Silver Rim, Dated 1892
A highly unusual and artistically rich piece from Doulton's experimental Agate Ware range

This exceptional Doulton Lambeth Agate Ware jug, standing 20cm tall, is a rare and beautiful example of one of the studio’s most elusive ceramic techniques. Dated 1892, it combines striking form, complex surface decoration, and a unique blend of materials that exemplify the innovation and craftsmanship of late 19th-century Doulton.

The jug is of tapered form, with a rich marbling of variegated brown clay tones characteristic of agate ware—a technique involving the mixing of coloured clays to produce flowing, stone-like patterns across the surface. These naturalistic swirls serve as a dynamic backdrop for a wealth of textural and decorative detail.

The surface features fine vertical linear striations, adding subtle texture, and is punctuated by zigzag miniature impressed motifs that create rhythmic surface interest. Two bold, raised wicker-effect bands—one encircling the base and another just below the collar—add further structure and visual weight to the form. A particularly striking feature is the flamboyant, flared handle, sculpturally sweeping from shoulder to rim with a confident, organic curve.

Crowning the jug is a solid sterling silver mount, hallmarked for London, 1892, and made by the respected silversmiths Cornelius Desormeaux Saunders & James Francis Hollings (Frank) Shepherd. The addition of silver not only elevates the piece but situates it firmly within the decorative luxury market of the time.

To the base are impressed marks including the Doulton Lambeth cogwheel stamp, “England”, the series number 7191, and the incised monogram of decorator Elizabeth Atkins, one of the documented artists of the period.

Agate Ware pieces from Doulton are exceedingly scarce, produced only in limited quantities and rarely seen on the open market today. Their technical difficulty and aesthetic complexity make them among the most desirable of all Lambeth studio wares.

A superb and tactile piece with exceptional presence—this jug would make a standout addition to any advanced collection of Victorian art pottery.

Dimensions: 20cm tall
Condition: Excellent with no restoration
Marks: Doulton Lambeth stamp, "England", 7191, silver hallmarks (London, 1892), maker’s mark (CS over FS), Elizabeth Atkins monogram

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Martin Brothers Organic Insects Vase

For sale is a wonderful, early Martin Brothers aquatic jug dated January 1884. Aquatic Jug - Robert Wallace Martin The Martin Brothers were renowned for their extraordinary skill in ceramics, known for their unique and imaginative designs. This jug, likely crafted by Robert Wallace Martin, embodies these characteristics. Robert, the eldest of the Martin brothers, was celebrated for his detailed and creative work. His pieces often drew inspiration from nature, as seen in the lifelike representations of marine life on this jug. Condition and authenticity depiction of the skate, mackerel, and eels adds a dynamic and captivating element to the piece. These features are typical of Robert Wallace Martin's work, known for infusing personality In summary, this piece is beautiful, highly original and its condition is immaculate, with no damage or restoration. The detailed skate, mackerel, and eels, set against a naturalistic background, showcase the remarkable skill and creativity of the Martin Brothers. Signed and dated January 1884, this jug is a valuable and collectible example of their early work, sure to be cherished by the discerning collector.

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Martin Brothers Aquatic Fish Jug

£1,695.00

For sale is a wonderful, early Martin Brothers aquatic jug dated January 1884. Aquatic Jug - Robert Wallace Martin The Martin Brothers were renowned for their extraordinary skill in ceramics, known for their unique and imaginative designs. This jug, likely crafted by Robert Wallace Martin, embodies these characteristics. Robert, the eldest of the Martin brothers, was celebrated for his detailed and creative work. His pieces often drew inspiration from nature, as seen in the lifelike representations of marine life on this jug. Condition and authenticity depiction of the skate, mackerel, and eels adds a dynamic and captivating element to the piece. These features are typical of Robert Wallace Martin's work, known for infusing personality In summary, this piece is beautiful, highly original and its condition is immaculate, with no damage or restoration. The detailed skate, mackerel, and eels, set against a naturalistic background, showcase the remarkable skill and creativity of the Martin Brothers. Signed and dated January 1884, this jug is a valuable and collectible example of their early work, sure to be cherished by the discerning collector.

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Martin Brothers Aquatic Fish Vase

£1,595.00

For sale is this superb Martin Brothers Aquatic Fish vase which is a striking example of their exceptional artistry. The vase features banding at both the top and bottom, framing the whimsical scene. The main part of the vase displays eight fish, each with a whimsical expression and in different poses. These fish are set against a blue and cream background, creating a captivating seawater effect. Interspersed among the fish are seaweed and shells, adding to the aquatic theme. This vase, likely made by Robert Wallace Martin, showcases the exceptional skill of the Martin Brothers beautifully.

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William Moorcroft Florian Daisy Double Gourd Vase

For sale we have a superb quality double-gourd Florian Daisy vase by William Moorcroft dating to around 1902. An early piece of Florian Ware in the daisy pattern, with its vibrant green and blue hues, is not just a decorative item but a testament to Moorcroft's artistic vision and technical skill. This piece captures the essence of the Art Nouveau movement and the early 20th-century fascination with nature, making it a prized artifact from the golden age of British art pottery. In excellent original condition with no chips, cracks or prior restoration. The piece is signed "W Moorcroft Des" in green ink entirely correct for the period.

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