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For sale is wonderful early piece of Doulton Lambeth Faience, dated 1875. Decorated by artist Mary Capes, it is what I consider a really bright and joyful piece to behond. Mary has been flamboyant, bringing pink/red hibiscus type florals and smaller yellow flowers into an intricate foliage. Interspersed, are angular, almost kaleidoscope shapes which add real interest to the aesthetic. Borders on the neck narrow, mid-body and foot use different blues to create a wonderful contrast and they keep the piece light and perfect to lift a room. Standing 23cm tall, and 13cm wide, this is a perfect size for the collector, being flexible and presentable in or out of a lit cabinet. Beneath are the early oval Doulton Lambeth stamps, 1875, and the painted on initials for Mary Capes. All presents correctly. -
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For sale is what can only be described as an "uber-rare" Doulton Lambeth bowl by renowned artist Florence Barlow. It dates to 1877 - a lovely early piece. With birds in relief scrolling down to form feet, this is the only piece of its kind I have seen by Florence Barlow, or even remotely similar! Florence focussed on birds - yes - but she painted remarkably realistic birds in the pate-sur-pate technique onto the facia of her pieces. On this earlier piece, Florence has executed beautiful and bold aesthetic design to the main body, of which I have seen examples before. She has then opted to add three birds gracing the sides and footing of the bowl, which take its quality to the next level. The bowl stands 13.5cm high but significantly wider at 23cm. It therefore has a lovely presence and its moderate size would suit a collectors cabinet or be a centre piece on a hall table, sideboard or mantle. Presented in outstanding original condition, there are no chips, cracks or restoration. The bowl beneath shows the round Doulton Lambeth stamp and date 1877. It further shows the signature of Florence Barlow "FEB" together with assistant marks and code numbers. -
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Antique Doulton Lambeth Jug by Florence Barlow, Dated 1874
An exceptional early work by a pioneering female artist of the Victorian ceramic movementThis distinguished Doulton Lambeth stoneware jug, dated 1874, is a rare and early example of the artistry of Florence Barlow, one of the most important female designers of the Doulton studio and sister to the renowned Hannah Barlow.
The jug features a finely detailed upper register adorned with seven sensitively modelled horse heads, each emerging from the clay in low relief and encircled above and below by delicate beaded borders. The rendering of the horses—marked by expressive line and form—is particularly notable, as Florence would soon transition to specializing exclusively in birds, leaving animal subjects like these to her sister, Hannah. This piece therefore captures a brief and significant phase in her artistic development.
The slender neck and lower body are decorated with stylized blue foliate sheaf motifs, set within zigzag and florette borders, creating an elegant interplay of texture and design across the jug’s surface. The decorative vocabulary is restrained yet dynamic, reflecting the sophisticated aesthetic typical of early Doulton Lambeth wares.
To the base, the jug bears the oval Doulton Lambeth impressed mark with the date 1874 to centre, alongside an early version of Florence Barlow’s personal monogram, confirming its authenticity and origin.
This piece stands as a rare and important example of early Doulton art pottery and of Florence Barlow’s formative work. It would make a significant addition to any collection of 19th-century British ceramics or women’s art pottery.
Dimensions: Height: 23cm ; Width: 14cm
Condition: The jug has had an older restoration around the rim, where the blue rim border has been repainted. This has been done to a fair standard but due to the age of the repair, there is some age crackling to the restoration. Three florettes have nibbles or chips. Other than this, the vase is untouched. -
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In 1873, Arthur Barlow crafted a remarkable Doulton Lambeth ewer, a testament to his exceptional skill and artistic vision. This ewer, notable for its generous proportions, is adorned with intricate scrolling beadwork, florette roundels, and elegant foliate designs. Characteristic of Barlow's style, it features his distinctive banding in the background, adding depth and texture to the piece. The top of the ewer is crowned with a solid sterling silver lid, which is original and was crafted in London in 1873 by the esteemed silversmiths Richards & Brown. The condition of this ewer is impeccable; it remains in its original state with no chips, cracks, or restoration, preserving its historical and aesthetic value. Beneath the foot of the ewer, one can find Arthur Barlow's signature alongside the Doulton Lambeth oval stamp, authenticating its origin and craftsmanship. -
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Offered for sale is a pair of wonderful lemonade beakers by renowned Doulton Lambeth artist George Tinworth. The beakers are decorated with his lovely swirling and beaded "Seaweed Scroll" design in the richest of green hues. Intermittent foliage in bold blue has been placed between, above or below the scroll work. The background is in an oatmeal colour repeatedly stamped with a small design to finish the aesthetic intensity of these art pottery pieces. Adorned to the top are excellent conditioned brass rims. In excellent original condition and fully signed, stamped and dated 1877. -
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Rare George Tinworth for Doulton Lambeth – Stoneware Model of a Carpenter’s Bag (c. 1880s–1890s)
This finely modelled stoneware study of a carpenter’s bag is a superb example of the whimsical yet highly skilled designs created under the direction of George Tinworth for Doulton Lambeth in the late Victorian period. Measuring approximately 13.5cm in length and 8.5cm in height, the model is remarkable for both its craftsmanship and detail.
The body of the bag is finished in a warm creamy light brown glaze, while the edges, straps, and handles are picked out in a contrasting darker hue, emphasising the form and adding depth. One side of the bag is richly decorated with Victorian-era woodworking planes, while the opposite side, open and more restrained, reveals only a woodsaw within. On the integrated stoneware plinth, tools of the trade—a mallet to one side and a chisel or file to the other—are carefully arranged, grounding the piece in the world of the Victorian craftsman.
This model captures Tinworth’s hallmark ability to combine utility, charm, and social observation in a single work of art. Pieces such as this, with their humour and realism, were often intended as conversation pieces and today are regarded as rare and highly sought-after examples of Doulton Lambeth artistry.
The base carries the impressed Doulton Lambeth circular mark, together with the initials “EMW”—likely one of the assistants or moulders working under Tinworth’s direction—along with the registration stamp “Rd” and the series number 162583. The piece remains in excellent, unrestored condition, free from cracks or repairs.
A wonderful and rare George Tinworth study, this model exemplifies the creativity and craftsmanship of the Doulton Lambeth workshops at their height and represents a fine acquisition for the discerning collector of Victorian stoneware and Tinworth’s celebrated oeuvre.
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For sale is a really well executed early Doulton Lambeth Ewer by renowned artist George Tinworth. A classical period shape emboldened by a vibrant blue and then adorned with Tinworth's "Seaweed Scroll" design, framed to the top and bottom with a contrasting ribbed borders. The slender curved handle carries further scrollwork to its outer surface to bring further aesthetic to this wonderful piece of history. To the main body, we have bold "GT" initials for George Tinworth. Beneath, we have the Doulton Lambeth stamp dating the ewer to 1879 with two other potter and assistant signatures. The Ewer is in outstanding original condition and will delight any serious early Doulton or Arts & Crafts collectors! -
Out of stock
For sale is a very early Doulton Lambeth jug by their most famous artist, George Tinworth. Dated 1874, in our opinion this piece represents a rarer and finer quality work by Tinworth. Unusually, the Seaweed Scroll work is absent on this piece, as George has decided to work towards a different effect. He has used the beading which is large and raised (sharp to the touch) to create four horizon borders. He has then crossed diagonal lines to create a diamond criss-cross effect. Within each diamond segment is then decorated blue bulbous forms which house intricate florette roundels to the centre diamonds, and beads to the smaller areas. The background is coloured to mid-brown. Beneath, the jug is stamped with the early oval Doulton Lambeth mark and dated 1874. Further it has George's monogram clearly engraved and that of an assistant or thrower. The jug is in fabulous condition, with only a very minor professional, invisible restoration to a small top rim chip. The quality of this jug will delight any serious early Doulton or Arts & Crafts collectors! -
Out of stock
Offered for sale is this wonderful lemonade jug by renowned Doulton Lambeth artist George Tinworth. The jug is decorated with his lovely swirling and beaded "Seaweed Scroll" design in the richest of green hues. Intermittent foliage in bold blue has been placed between, above or below the scroll work. The background is in an oatmeal colour repeatedly stamped with a small design to finish the aesthetic intensity of these art pottery pieces. To the top is a silver plated rim, spout and finialed lid . In excellent original condition and fully signed, stamped and dated 1877.
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