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For sale is this exquisite, early Florian Ware vase by William Moorcroft, dating to around 1902. Decorated with what we believe to be forget-me-nots surrounded by whisps of foliage, it is a little firecracker at only 7cm tall! With warm blues and greens, under light in our cabinets it really does look magnificent. The whole vase from top to toe is brimming with decoration which also makes it so appealing. William Moorcroft at the time of making this piece was working for James MacIntyre & Co, where he became very successful with Florian Ware and after they closed his department, he continued in his own name to go onto become one of the most successful art potters of his time. Offered for sale in excellent original condition, this vase has had no damage or restoration. It has the "William Moorcroft Des" signature in green, present and correct for the period. "Des" indicated he was the designer working for MacIntyre and is most often seen following his name on these early pieces. -
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For sale we have a gorgeous Doulton Lambeth miniature Hannah Barlow vase, dating to the turn of the century. Decorated with five horses eating grass and nibbling tree leaves, this diminutive vase is a true delight. With a bronzed stoneware glaze on which Hannah has worked her sgraffito, it is a warm, charming little piece. It would not surprise if a hint of metallic oxides were used as there is a slight lustrousness to the glaze. Measuring 13cm, or just over 5 inches, there are not many Hannah Barlow pieces of this size around! -
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For sale is this gorgeous, Eventide squat vase by William Moorcroft, dating to 1928 or soon thereafter. Decorated with large and small trees in the wondrous evening red/amber colourway, it is a wonderful vase that displays extremely well due to the angles of the vase under cabinet lights! The Eventide pattern prominently features a landscape scene, typically showcasing a moody, twilight setting and is characterized by its depiction of trees and often includes a setting or rising sun, casting a warm, glowing effect over the scene. It is one of the most sought after rare designs. -
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What exactly is it? For sale is this highly unusual and grotesque Martin Brothers reptile sitting on top of an upside down mushroom. Intricately constructed with a body hideous to behold, we have not seen another quite like this piece. The creature, with almost human like face, has a hand to its mouth like it is whistling, whilst its menacing double-taloned feet grip the underside of the mushroom. The body is contorted and detailed as if scaly, the texture brought out by blue against the otherwise pale cream colourway. The creature has a long tail, going down to the base of the mushroom stem and then curling around. The mushroom has long painted green strokes. Which brother made it? Likely to have been made by the brother most famed for grotesque, whimsical and macabre creations, Robert Wallace Martin. -
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For sale we have a superb quality double-gourd Florian Daisy vase by William Moorcroft dating to around 1902. An early piece of Florian Ware in the daisy pattern, with its vibrant green and blue hues, is not just a decorative item but a testament to Moorcroft's artistic vision and technical skill. This piece captures the essence of the Art Nouveau movement and the early 20th-century fascination with nature, making it a prized artifact from the golden age of British art pottery. In excellent original condition with no chips, cracks or prior restoration. The piece is signed "W Moorcroft Des" in green ink entirely correct for the period. -
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For sale is a wonderful, early Martin Brothers aquatic jug dated January 1884. Aquatic Jug - Robert Wallace Martin The Martin Brothers were renowned for their extraordinary skill in ceramics, known for their unique and imaginative designs. This jug, likely crafted by Robert Wallace Martin, embodies these characteristics. Robert, the eldest of the Martin brothers, was celebrated for his detailed and creative work. His pieces often drew inspiration from nature, as seen in the lifelike representations of marine life on this jug. Condition and authenticity depiction of the skate, mackerel, and eels adds a dynamic and captivating element to the piece. These features are typical of Robert Wallace Martin's work, known for infusing personality In summary, this piece is beautiful, highly original and its condition is immaculate, with no damage or restoration. The detailed skate, mackerel, and eels, set against a naturalistic background, showcase the remarkable skill and creativity of the Martin Brothers. Signed and dated January 1884, this jug is a valuable and collectible example of their early work, sure to be cherished by the discerning collector. -
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Martin Brothers Imp playing the Blocks - Robert Wallace Martin For sale is this delightful and cheeky looking imp playing the blocks. It is in excellent condition, with a very minor old "touch in" to the tip of the block instrument. Otherwise it is in wonderful original condition. It hails from the prominent collection of Barry Stock, a well known collector based out of the UK. The Martin Brothers Imps are a fascinating and highly collectible series of grotesque figures, each one depicting a whimsical imp engaged in playing various musical instruments. These figures, created by the renowned Martin Brothers, are celebrated for their unique blend of humor, artistry, and intricate craftsmanship. The Martin Brothers—Robert Wallace Martin, Edwin Martin, Walter Martin, and Charles Martin—were pioneers in the field of ceramic art during the late 19th and early 20th centuries. They are best known for their imaginative and often eccentric creations, which have garnered a dedicated following among collectors and art enthusiasts. -
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For sale is a stunning and substantial Late Cornflower vase by William Moorcroft, dating between 1925-1935. Decorated with eight large cornflowers in pinks and purples, the vase absolutely explodes with colour. Contrasting wonderfully against a white background, it displays extremely well and is an eye catching centre piece. At 9 inches or 23cm tall and with a circumference of almost 20 inches or 50cm, this is a fabulous size and worthy of any discerning collection. -
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For sale we have this outstanding quality Hannah Barlow biscuit barrel decorated with six cats in various states from relaxation to spats! The navy sgraffito work is some of the best we've seen and is a testament to her skills as a master ceramicist at Doulton Lambeth. This piece looks so good we decided to display it for a couple of years before deciding to put it up for sale. The barrel boasts one large work of a sleeping cat, two cats having a stand-off spat, and three others sitting and socialising. Such as endearing piece. The top and bottom borders are bands of mini florettes and blue rush groups repeated all the way around. Two blue lug handles finish the effect on either side. Condition wise, there are a few things to mention here. First, and rather obviously, the lid has gone missing and this is an old replacement lid that came with the piece when we acquired it. The original lid would have been stoneware. Secondly, the top rim has two nibbles (one 5mm and the other 1mm) and the top inside rim also has two nibbles (one 8mm and the other 5mm). The base edge has one 2mm nibble. Other than this, there are no other cracks, chips or any restoration to the piece. The photos clearly show the condition. Beneath, we have Hannah Barlows "HBB" monogram together with the shape code 498 and the Doulton Lambeth cog and "England" present and correct. This places the production of the piece around the early 1890s. If as a collector you can look past the lid and a few nibbles to the tremendous quality of this example, this is a piece that will give you a lot of enjoy. -
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Antique Doulton Lambeth Jug by Florence Barlow, Dated 1874
An exceptional early work by a pioneering female artist of the Victorian ceramic movementThis distinguished Doulton Lambeth stoneware jug, dated 1874, is a rare and early example of the artistry of Florence Barlow, one of the most important female designers of the Doulton studio and sister to the renowned Hannah Barlow.
The jug features a finely detailed upper register adorned with seven sensitively modelled horse heads, each emerging from the clay in low relief and encircled above and below by delicate beaded borders. The rendering of the horses—marked by expressive line and form—is particularly notable, as Florence would soon transition to specializing exclusively in birds, leaving animal subjects like these to her sister, Hannah. This piece therefore captures a brief and significant phase in her artistic development.
The slender neck and lower body are decorated with stylized blue foliate sheaf motifs, set within zigzag and florette borders, creating an elegant interplay of texture and design across the jug’s surface. The decorative vocabulary is restrained yet dynamic, reflecting the sophisticated aesthetic typical of early Doulton Lambeth wares.
To the base, the jug bears the oval Doulton Lambeth impressed mark with the date 1874 to centre, alongside an early version of Florence Barlow’s personal monogram, confirming its authenticity and origin.
This piece stands as a rare and important example of early Doulton art pottery and of Florence Barlow’s formative work. It would make a significant addition to any collection of 19th-century British ceramics or women’s art pottery.
Dimensions: Height: 23cm ; Width: 14cm
Condition: The jug has had an older restoration around the rim, where the blue rim border has been repainted. This has been done to a fair standard but due to the age of the repair, there is some age crackling to the restoration. Three florettes have nibbles or chips. Other than this, the vase is untouched. -
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William Moorcroft Pomegranate Vase – M55 Shape (c. 1910s–1920s)
A beautiful example of early William Moorcroft craftsmanship, this small Pomegranate design vase embodies the timeless charm of Moorcroft’s celebrated Burslem period. Measuring approximately 6.5cm in height and 8cm in width, the vase is modelled in the distinctive M55 shape, perfectly proportioned for display.
The decoration features four richly painted pomegranates, evenly spaced around the rounded body, each enhanced with deep green foliage and clusters of blue-purple berries that provide a striking contrast. The design is crowned with a warm ochre glaze running up to and including the rim—an unmistakable hallmark of Moorcroft’s early Burslem output.
To the base, the vase bears a full William Moorcroft signature in green, together with impressed marks reading Moorcroft, Burslem, M55. The piece remains in excellent, unrestored condition, showing only the fine glaze crazing typical of early Moorcroft pottery, with no damage or repairs.
A lovely, well-balanced example of William Moorcroft’s iconic Pomegranate design, this vase would make a fine addition to any Moorcroft collection or serve as a statement piece in its own right.
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Extremely Rare William Moorcroft Flambé Bowl – Spanish Pattern (c. 1910–1916)
This exceptionally rare flambé bowl is a remarkable example of William Moorcroft’s artistry and experimental mastery during the early Burslem period. Measuring 23cm in diameter and 7cm in height, the bowl is decorated in the highly desirable Spanish pattern, one of Moorcroft’s most striking floral designs, introduced around 1910 and produced only for a short period.
The interior reveals the hallmark tubelined decoration, with three large Spanish flowers at the centre and four medium blooms gracefully arranged around the upper edges. The exterior continues this flowing design, displaying three further large flowers evenly distributed around the circumference. The entire piece glows with a rich, iridescent pinkish-red flambé glaze, a finish Moorcroft frequently undertook personally in his kiln experiments. On this example, subtle overfiring to one side provides both visual depth and a tangible reminder of its experimental origins.
The underside is especially striking, showing intense iridescence with oily rainbow hues, reminiscent of a delicate film of light across a surface—an effect unique to flambé glazes of this period. Beneath, the bowl bears no painted signature, though its authenticity is undisputed, confirmed by its important provenance as part of the Moorcroft Museum Collection, where it was catalogued and retains its original label: “Moorcroft Museum, 00461.”
The Spanish pattern itself is historically significant, reflecting William Moorcroft’s early exploration of bold, stylised floral motifs, influenced by the Arts and Crafts movement and Art Nouveau aesthetics. Produced only in the early 1910s and in relatively small numbers, Spanish pattern pieces are today exceptionally rare, with flambé-fired examples being among the most coveted of all early Moorcroft works.
This superb and rare bowl, with its museum provenance, flambé glaze, and iconic Spanish design, represents a true collector’s piece—an opportunity to acquire an object of both aesthetic beauty and considerable historical importance within the oeuvre of William Moorcroft.
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