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Martin Brothers Gnarly Olive JugPresenting an exceptional, historic gnarly-designed Martin Brothers art pottery jug, measuring approx. 22.5cm in height and 12.5cm in diameter. This piece from a highly sought-after potter features a robust baluster form jug, resting securely on a flared circular foot. Its gnarly silhouette is defined by a bulbous lower body that tapers into a cylindrical neck, culminating in a sweeping pouring lip and an applied, sturdy strap handle.
The jug is characterized by its tactile, heavily ribbed texture, a testament to its hand-thrown origins by eccentric brothers. A rich, dark olive-brown salt glaze dominates the meticulously textured body and handle. This deep, lustrous finish contrasts strikingly against the lighter, biscuit-toned clay left exposed at the rim, the interior, a thin defining band at the shoulder, and the foot. This earthy, two-tone palette masterfully accentuates the horizontal throwing lines that encircle the entire vessel.
Beneath the foot, the unglazed natural clay base proudly bears the authentic, hand-incised cursive signature reading "Martin" and "London", securing its prestigious provenance. Preserved impeccably, this remarkable piece presents in excellent, original, and entirely undamaged condition, making it a museum-quality acquisition for discerning collectors of late 19th and early 20th-century British studio pottery.
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In 1873, Arthur Barlow crafted a remarkable Doulton Lambeth ewer, a testament to his exceptional skill and artistic vision. This ewer, notable for its generous proportions, is adorned with intricate scrolling beadwork, florette roundels, and elegant foliate designs. Characteristic of Barlow's style, it features his distinctive banding in the background, adding depth and texture to the piece. The top of the ewer is crowned with a solid sterling silver lid, which is original and was crafted in London in 1873 by the esteemed silversmiths Richards & Brown. The condition of this ewer is impeccable; it remains in its original state with no chips, cracks, or restoration, preserving its historical and aesthetic value. Beneath the foot of the ewer, one can find Arthur Barlow's signature alongside the Doulton Lambeth oval stamp, authenticating its origin and craftsmanship. -
Martin Brothers Gnarly Olive JugPresenting an exceptional, historic gnarly-designed Martin Brothers art pottery jug, measuring approx. 22.5cm in height and 12.5cm in diameter. This piece from a highly sought-after potter features a robust baluster form jug, resting securely on a flared circular foot. Its gnarly silhouette is defined by a bulbous lower body that tapers into a cylindrical neck, culminating in a sweeping pouring lip and an applied, sturdy strap handle.
The jug is characterized by its tactile, heavily ribbed texture, a testament to its hand-thrown origins by eccentric brothers. A rich, dark olive-brown salt glaze dominates the meticulously textured body and handle. This deep, lustrous finish contrasts strikingly against the lighter, biscuit-toned clay left exposed at the rim, the interior, a thin defining band at the shoulder, and the foot. This earthy, two-tone palette masterfully accentuates the horizontal throwing lines that encircle the entire vessel.
Beneath the foot, the unglazed natural clay base proudly bears the authentic, hand-incised cursive signature reading "Martin" and "London", securing its prestigious provenance. Preserved impeccably, this remarkable piece presents in excellent, original, and entirely undamaged condition, making it a museum-quality acquisition for discerning collectors of late 19th and early 20th-century British studio pottery.
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For sale we have this utterly georgous and unusual Doulton Lambeth vase by George Tinworth. It is an early piece made during his most inspired period, dating to 1877. Unlike his most common "signature Seaweed Scroll" design, George has opted to do something different here. He has used the same base design as the seaweed, but made upright frond spears. This is unusual and a far rarer vase for it. Large frilled fronds rise from the base, whilst large straight-edged fronds drop from the neck. Each set of fronds is dissected by a white diamond pattern border, which very unusually have their own foliate edging. The colourway really makes this vase stunning. The spears are in Doulton's gorgeous green, whilst the background is a terrific bold blue. The high shine glaze of the piece sets the colours off as you expect in a high quality piece like this. To finish things off, George has very boldly placed his "GT" monogram at the lower end of the vase between the frond spears. Presented in superb original condition, the vase is stamped correctly beneath with the Doulton Lambeth stamp and dated 1877. It further has the marks of the assistant "E.L.H", all typical of George's work in this period. We cannot iterate enough what a gem this vase is and it will absolutely thrill its new owner! -
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For sale is this stunning, early Spanish pattern trumpet vase by William Moorcroft. Decorated with an abundance of flowers and foliage using reds, oranges and greens to fantastic effect, this small vase is truly something to behold. The decoration begins from the vases hip, with flowers arranged around the vase. The inside of the top rim is similarly decorated with flower buds to really make the vase pop with colour and elegance. The vase presents superbly throughout. To note is an area of invisible restoration beneath the hip and also a very fine small hairline to the top rim. Close examination reveals the hairline occurred whilst the vase was new and before age crazing occurred. This is not visible on display and has to be carefully looked for. The -
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For sale is this four lobed couldron vase. This vase is 10cm tall by 12.5cm wide! With a glittering lustre, this is a specia piece of Martin Brothers pottery. -
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Martin Brothers Early Stamped Small Jug For sale is this truly delightful early Martin Brothers jug, dated 23-06-1880. Rare to find, this jug is stamped with the early "R.W. Martin Southall" stamp which dates it authentically to 1880. To the top half, the jug has been coloured with a mix of rich brown and light metallic oxides to give the brown an additional sheen to it. Beneath, bandings of small circles and lines separate the brown top section from the framing of the zig-zag simple foliate and flower desgned motifs. A subtle olive-green presents in the centre bandng and onto the jug handle for further contrast to this wonderful early piece. Beneath, the R.W. Martin Southall" stamp is clear as well as the hand-inscribed date of 23-06-1880. This piece is in wonderful orginal condition and is free from any chips, cracks or repairs. It measures 14cm tall by approximately 10.5cm wide including the handle. This is Martin Brothers in its simple authenticity, in wonderful condition. Adding it to your collection will not disappoint and it is a lovely size for a cabinet. -
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Rare George Tinworth for Doulton Lambeth – Stoneware Model of a Carpenter’s Bag (c. 1880s–1890s)
This finely modelled stoneware study of a carpenter’s bag is a superb example of the whimsical yet highly skilled designs created under the direction of George Tinworth for Doulton Lambeth in the late Victorian period. Measuring approximately 13.5cm in length and 8.5cm in height, the model is remarkable for both its craftsmanship and detail.
The body of the bag is finished in a warm creamy light brown glaze, while the edges, straps, and handles are picked out in a contrasting darker hue, emphasising the form and adding depth. One side of the bag is richly decorated with Victorian-era woodworking planes, while the opposite side, open and more restrained, reveals only a woodsaw within. On the integrated stoneware plinth, tools of the trade—a mallet to one side and a chisel or file to the other—are carefully arranged, grounding the piece in the world of the Victorian craftsman.
This model captures Tinworth’s hallmark ability to combine utility, charm, and social observation in a single work of art. Pieces such as this, with their humour and realism, were often intended as conversation pieces and today are regarded as rare and highly sought-after examples of Doulton Lambeth artistry.
The base carries the impressed Doulton Lambeth circular mark, together with the initials “EMW”—likely one of the assistants or moulders working under Tinworth’s direction—along with the registration stamp “Rd” and the series number 162583. The piece remains in excellent, unrestored condition, free from cracks or repairs.
A wonderful and rare George Tinworth study, this model exemplifies the creativity and craftsmanship of the Doulton Lambeth workshops at their height and represents a fine acquisition for the discerning collector of Victorian stoneware and Tinworth’s celebrated oeuvre.
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Early Martin Brothers Salt-Glazed Open Salt Dish (Circa 1880s)
This distinctive open salt dish, crafted by Robert Wallace Martin of the renowned Martin Brothers pottery, dates to the 1880s and represents a superb example of early British art pottery. The piece features a robust, architectural form with a squared, lobed profile resting on four domed feet.
The exterior is defined by tactile detailing, utilizing a raised, beaded border that frames the upper and lower registers. The flat sides showcase a recessed, vertically fluted arcade motif, which contrasts sharply with the smooth, sweeping curves of the prominent corners. A rich, earthy palette characterizes the dish: the interior basin and upper sections are bathed in a mottled ochre and mustard-yellow glaze, while the lower corner sections exhibit a deep, resonant cobalt blue.
The underside bears the clearly incised signature "Martin Bros, London & Southall," authenticating its early origins. Notably, the base retains a label from the esteemed Whitley Collection, providing highly desirable provenance for the discerning collector.
The dish presents in exceptional, unrestored original condition, free from subsequent damage or repairs. It exhibits small authentic, in-manufacture firing cracks—visible within the interior basin and underside—which are inherent to the early Martin Brothers firing process and do not detract from its structural integrity or historic appeal.
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