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Martin Brothers Gnarly Olive Jug

Presenting an exceptional, historic gnarly-designed Martin Brothers art pottery jug, measuring approx. 22.5cm in height and 12.5cm in diameter. This piece from a highly sought-after potter features a robust baluster form jug, resting securely on a flared circular foot. Its gnarly silhouette is defined by a bulbous lower body that tapers into a cylindrical neck, culminating in a sweeping pouring lip and an applied, sturdy strap handle.

The jug is characterized by its tactile, heavily ribbed texture, a testament to its hand-thrown origins by eccentric brothers. A rich, dark olive-brown salt glaze dominates the meticulously textured body and handle. This deep, lustrous finish contrasts strikingly against the lighter, biscuit-toned clay left exposed at the rim, the interior, a thin defining band at the shoulder, and the foot. This earthy, two-tone palette masterfully accentuates the horizontal throwing lines that encircle the entire vessel.

Beneath the foot, the unglazed natural clay base proudly bears the authentic, hand-incised cursive signature reading “Martin” and “London”, securing its prestigious provenance. Preserved impeccably, this remarkable piece presents in excellent, original, and entirely undamaged condition, making it a museum-quality acquisition for discerning collectors of late 19th and early 20th-century British studio pottery.

Early Martin Brothers Salt-Glazed Open Salt Dish (Circa 1880s)

This distinctive open salt dish, crafted by Robert Wallace Martin of the renowned Martin Brothers pottery, dates to the 1880s and represents a superb example of early British art pottery. The piece features a robust, architectural form with a squared, lobed profile resting on four domed feet.

The exterior is defined by tactile detailing, utilizing a raised, beaded border that frames the upper and lower registers. The flat sides showcase a recessed, vertically fluted arcade motif, which contrasts sharply with the smooth, sweeping curves of the prominent corners. A rich, earthy palette characterizes the dish: the interior basin and upper sections are bathed in a mottled ochre and mustard-yellow glaze, while the lower corner sections exhibit a deep, resonant cobalt blue.

The underside bears the clearly incised signature “Martin Bros, London & Southall,” authenticating its early origins. Notably, the base retains a label from the esteemed Whitley Collection, providing highly desirable provenance for the discerning collector.

The dish presents in exceptional, unrestored original condition, free from subsequent damage or repairs. It exhibits small authentic, in-manufacture firing cracks—visible within the interior basin and underside—which are inherent to the early Martin Brothers firing process and do not detract from its structural integrity or historic appeal.

Martin Brothers Gnarly Olive Jug

Presenting an exceptional, historic gnarly-designed Martin Brothers art pottery jug, measuring approx. 22.5cm in height and 12.5cm in diameter. This piece from a highly sought-after potter features a robust baluster form jug, resting securely on a flared circular foot. Its gnarly silhouette is defined by a bulbous lower body that tapers into a cylindrical neck, culminating in a sweeping pouring lip and an applied, sturdy strap handle.

The jug is characterized by its tactile, heavily ribbed texture, a testament to its hand-thrown origins by eccentric brothers. A rich, dark olive-brown salt glaze dominates the meticulously textured body and handle. This deep, lustrous finish contrasts strikingly against the lighter, biscuit-toned clay left exposed at the rim, the interior, a thin defining band at the shoulder, and the foot. This earthy, two-tone palette masterfully accentuates the horizontal throwing lines that encircle the entire vessel.

Beneath the foot, the unglazed natural clay base proudly bears the authentic, hand-incised cursive signature reading “Martin” and “London”, securing its prestigious provenance. Preserved impeccably, this remarkable piece presents in excellent, original, and entirely undamaged condition, making it a museum-quality acquisition for discerning collectors of late 19th and early 20th-century British studio pottery.

Robert Wallace Martin Early Gentlemens’ Cigar Lamp

For sale is this incredibly rare Robert Wallace Martin Gentlemen’s cigar lamp. I have only ever seen this example from the Martin Brothers, so I am confident these are rarer than hen’s teeth.

Presenting as a central oil burner with wick, it has been fitted with finely worked white metal (a silver plate metal) of excellent quality. No wear to the metal to the base layer is evident and it polishes beautifully. Any dullness is a light tarnish that removes easily. Three identical “wands” rest in the protruding wand sections, and each wand and wand seat has matching numbers 1-3 for the wands to know their position.

The way the lamp worked was each of three gentlemen took a wand, and using papers from their vespa cases, would wedge the paper into their wand and be able to light their cigars from the comfort of their leather chair, whilst the lamp remained in the centre of the table. Lighting the cigar from a “clean” paper prevented the cigar’s flavour from being contaminated by the oil flame from the lamp.

Decorated with blue floral designs with a subtle green and blue banding between, the stems rise with a lovely natural green glaze to the silver tops. Set on three bulbous feet, with three layers of small shapes banding each foot, this delightful piece is quintessential late 1870s to early 1880s Martin Brothers! Whilst approximately 14.5cm tall and 9cm across, it is very solid and weighs 710g!

Beneath  the cigar lamp is the signature of Robert Wallace Martin (R.W. Martin), the figure “8” and then “Southall”.

This piece is in wonderful orginal condition that is ready to brace any serious collectors collection. Even better if you and the friends enjoy an occasional cigar, as it is a novelty that can be safely and robustly used without fear of damage as it is so well made.

Martin Brothers Early Stamped Small Jug

For sale is this truly delightful early Martin Brothers jug, dated 23-06-1880. Rare to find, this jug is stamped with the early “R.W. Martin Southall” stamp which dates it authentically to 1880.

To the top half, the jug has been coloured with a mix of rich brown and light metallic oxides to give the brown an additional sheen to it. Beneath, bandings of small circles and lines separate the brown top section from the framing of the zig-zag simple foliate and flower desgned motifs. A subtle olive-green presents in the centre bandng and onto the jug handle for further contrast to this wonderful early piece.

Beneath, the R.W. Martin Southall” stamp is clear as well as the hand-inscribed date of 23-06-1880.

This piece is in wonderful orginal condition and is free from any chips, cracks or repairs. It measures 14cm tall by approximately 10.5cm wide including the handle.

This is Martin Brothers in its simple authenticity, in wonderful condition. Adding it to your collection will not disappoint and it is a lovely size for a cabinet.

Rare George Tinworth for Doulton Lambeth – Stoneware Model of a Carpenter’s Bag (c. 1880s–1890s)

This finely modelled stoneware study of a carpenter’s bag is a superb example of the whimsical yet highly skilled designs created under the direction of George Tinworth for Doulton Lambeth in the late Victorian period. Measuring approximately 13.5cm in length and 8.5cm in height, the model is remarkable for both its craftsmanship and detail.

The body of the bag is finished in a warm creamy light brown glaze, while the edges, straps, and handles are picked out in a contrasting darker hue, emphasising the form and adding depth. One side of the bag is richly decorated with Victorian-era woodworking planes, while the opposite side, open and more restrained, reveals only a woodsaw within. On the integrated stoneware plinth, tools of the trade—a mallet to one side and a chisel or file to the other—are carefully arranged, grounding the piece in the world of the Victorian craftsman.

This model captures Tinworth’s hallmark ability to combine utility, charm, and social observation in a single work of art. Pieces such as this, with their humour and realism, were often intended as conversation pieces and today are regarded as rare and highly sought-after examples of Doulton Lambeth artistry.

The base carries the impressed Doulton Lambeth circular mark, together with the initials “EMW”—likely one of the assistants or moulders working under Tinworth’s direction—along with the registration stamp “Rd” and the series number 162583. The piece remains in excellent, unrestored condition, free from cracks or repairs.

A wonderful and rare George Tinworth study, this model exemplifies the creativity and craftsmanship of the Doulton Lambeth workshops at their height and represents a fine acquisition for the discerning collector of Victorian stoneware and Tinworth’s celebrated oeuvre.

Extremely Rare William Moorcroft Flambé Bowl – Spanish Pattern (c. 1910–1916)

This exceptionally rare flambé bowl is a remarkable example of William Moorcroft’s artistry and experimental mastery during the early Burslem period. Measuring 23cm in diameter and 7cm in height, the bowl is decorated in the highly desirable Spanish pattern, one of Moorcroft’s most striking floral designs, introduced around 1910 and produced only for a short period.

The interior reveals the hallmark tubelined decoration, with three large Spanish flowers at the centre and four medium blooms gracefully arranged around the upper edges. The exterior continues this flowing design, displaying three further large flowers evenly distributed around the circumference. The entire piece glows with a rich, iridescent pinkish-red flambé glaze, a finish Moorcroft frequently undertook personally in his kiln experiments. On this example, subtle overfiring to one side provides both visual depth and a tangible reminder of its experimental origins.

The underside is especially striking, showing intense iridescence with oily rainbow hues, reminiscent of a delicate film of light across a surface—an effect unique to flambé glazes of this period. Beneath, the bowl bears no painted signature, though its authenticity is undisputed, confirmed by its important provenance as part of the Moorcroft Museum Collection, where it was catalogued and retains its original label: “Moorcroft Museum, 00461.”

The Spanish pattern itself is historically significant, reflecting William Moorcroft’s early exploration of bold, stylised floral motifs, influenced by the Arts and Crafts movement and Art Nouveau aesthetics. Produced only in the early 1910s and in relatively small numbers, Spanish pattern pieces are today exceptionally rare, with flambé-fired examples being among the most coveted of all early Moorcroft works.

This superb and rare bowl, with its museum provenance, flambé glaze, and iconic Spanish design, represents a true collector’s piece—an opportunity to acquire an object of both aesthetic beauty and considerable historical importance within the oeuvre of William Moorcroft.

William Moorcroft Pomegranate Vase – M55 Shape (c. 1910s–1920s)

A beautiful example of early William Moorcroft craftsmanship, this small Pomegranate design vase embodies the timeless charm of Moorcroft’s celebrated Burslem period. Measuring approximately 6.5cm in height and 8cm in width, the vase is modelled in the distinctive M55 shape, perfectly proportioned for display.

The decoration features four richly painted pomegranates, evenly spaced around the rounded body, each enhanced with deep green foliage and clusters of blue-purple berries that provide a striking contrast. The design is crowned with a warm ochre glaze running up to and including the rim—an unmistakable hallmark of Moorcroft’s early Burslem output.

To the base, the vase bears a full William Moorcroft signature in green, together with impressed marks reading Moorcroft, Burslem, M55. The piece remains in excellent, unrestored condition, showing only the fine glaze crazing typical of early Moorcroft pottery, with no damage or repairs.

A lovely, well-balanced example of William Moorcroft’s iconic Pomegranate design, this vase would make a fine addition to any Moorcroft collection or serve as a statement piece in its own right.

William Moorcroft “Claremont” Vase – Shape M55, c.1925
A vibrant and highly desirable example of one of Moorcroft’s most celebrated patterns

This exquisite M55-shaped William Moorcroft vase, dating to the mid-1920s, showcases the iconic Claremont pattern—one of the most sought-after designs in the Moorcroft repertoire.

Encircling the body are ten finely tubelined toadstools, rendered in vivid and varied tones: four rich reds, four warm yellows, and two deep, velvety blues. Each cap is detailed with Claremont’s hallmark speckled surface and beautifully defined gill undersides—an artistic hallmark that makes this pattern so visually captivating. The base colour merges lush green and inky blue glazes, creating a moody, woodland atmosphere that complements the naturalistic subject matter.

To the underside, the vase bears the impressed marks “Moorcroft” and “Made in England”, along with the model number “M55”, confirming its authenticity and period origin.

A small, invisible professional restoration has been carried out to the top rim, precisely between a large yellow and large red toadstool. The restoration is of a high standard, with only a subtle uniformity of colour betraying the repaired area under close inspection. Importantly, the most visually dominant red toadstool sits on the opposite, untouched side, making this piece an outstanding display example.

Compact in scale but striking in design, this Claremont vase is a true collector’s gem—a perfect representation of Moorcroft’s artistry during the golden period of British Art Pottery.

Dimensions: Height: 7cm; Width 8cm
Condition: Professionally restored rim; still displays beautifully

Antique Doulton Lambeth Jug by Florence Barlow, Dated 1874
An exceptional early work by a pioneering female artist of the Victorian ceramic movement

This distinguished Doulton Lambeth stoneware jug, dated 1874, is a rare and early example of the artistry of Florence Barlow, one of the most important female designers of the Doulton studio and sister to the renowned Hannah Barlow.

The jug features a finely detailed upper register adorned with seven sensitively modelled horse heads, each emerging from the clay in low relief and encircled above and below by delicate beaded borders. The rendering of the horses—marked by expressive line and form—is particularly notable, as Florence would soon transition to specializing exclusively in birds, leaving animal subjects like these to her sister, Hannah. This piece therefore captures a brief and significant phase in her artistic development.

The slender neck and lower body are decorated with stylized blue foliate sheaf motifs, set within zigzag and florette borders, creating an elegant interplay of texture and design across the jug’s surface. The decorative vocabulary is restrained yet dynamic, reflecting the sophisticated aesthetic typical of early Doulton Lambeth wares.

To the base, the jug bears the oval Doulton Lambeth impressed mark with the date 1874 to centre, alongside an early version of Florence Barlow’s personal monogram, confirming its authenticity and origin.

This piece stands as a rare and important example of early Doulton art pottery and of Florence Barlow’s formative work. It would make a significant addition to any collection of 19th-century British ceramics or women’s art pottery.

Dimensions: Height: 23cm ;  Width: 14cm
Condition: The jug has had an older restoration around the rim, where the blue rim border has been repainted. This has been done to a fair standard but due to the age of the repair, there is some age crackling to the restoration. Three florettes have nibbles or chips. Other than this, the vase is untouched.

For sale we this delightful and cute little CH Brannam “open salt” decorated with two surprisingly detailed fish dating to 1901. This is the work of Frank Thomas, one of the better known artists for the potter. The fish are surrounded by various colourful waterplants. It is a little gem of a piece.

Condition

Offered in excellent original condition with no chips, cracks or restoration.

Authenticity

For authenticity, beneath, we have the registration number of CH Brannam, “Rd 44561”, the signature CH Brannam Barum, the signature “FT” signifying the work of Frank Thomas and the date 1901.

For sale we have this outstanding quality Hannah Barlow biscuit barrel decorated with six cats in various states from relaxation to spats! The navy sgraffito work is some of the best we’ve seen and is a testament to her skills as a master ceramicist at Doulton Lambeth. This piece looks so good we decided to display it for a couple of years before deciding to put it up for sale. The barrel boasts one large work of a sleeping cat, two cats having a stand-off spat, and three others sitting and socialising. Such as endearing piece. The top and bottom borders are bands of mini florettes and blue rush groups repeated all the way around. Two blue lug handles finish the effect on either side.

Condition wise, there are a few things to mention here. First, and rather obviously, the lid has gone missing and this is an old replacement lid that came with the piece when we acquired it. The original lid would have been stoneware. Secondly, the top rim has two nibbles (one 5mm and the other 1mm) and the top inside rim also has two nibbles (one 8mm and the other 5mm). The base edge has one 2mm nibble. Other than this, there are no other cracks, chips or any restoration to the piece. The photos clearly show the condition. Beneath, we have Hannah Barlows “HBB” monogram together with the shape code 498 and the Doulton Lambeth cog and “England” present and correct. This places the production of the piece around the early 1890s.

If as a collector you can look past the lid and a few nibbles to the tremendous quality of this example, this is a piece that will give you a lot of enjoy.

Double Ribbed Martin Brothers Lustre vase – June 1907

For sale is this really interesting example of Edwin and Walter Martins’ organic pottery work. The vase is of subtle bulbous form, with a multitude of thin horizontal ribs and then large pronouced vertical ribs from the waist to the top rim. The Brothers have then applied a rich deep brown / dark grey / black colour with metallic oxide to give a wonderful lustre to the piece. In the photographs, observe the different angles where we try and illustrate the effect. This is a wonderful example of their work and is a most subtle, yet highly competent execution.

Condition and Provenance

The vase is in excellent original condition, with no chips, cracks, or repairs. A couple of specks on the main body of the vase are small imperfections during the manufacture of the vase. The signature beneath is 100% consistent with period pieces and is marked “6-1907, Martin Bros, London & Southall”, again entirely consistent and authentic. See the V&A Museum picture below of a virtually identical example from the same year by Edwin.

For sale we have this utterly georgous and unusual Doulton Lambeth vase by George Tinworth. It is an early piece made during his most inspired period, dating to 1877.

Unlike his most common “signature Seaweed Scroll” design, George has opted to do something different here. He has used the same base design as the seaweed, but made upright frond spears. This is unusual and a far rarer vase for it. Large frilled fronds rise from the base, whilst large straight-edged fronds drop from the neck. Each set of fronds is dissected by a white diamond pattern border, which very unusually have their own foliate edging. The colourway really makes this vase stunning. The spears are in Doulton’s gorgeous green, whilst the background is a terrific bold blue. The high shine glaze of the piece sets the colours off as you expect in a high quality piece like this. To finish things off, George has very boldly placed his “GT” monogram at the lower end of the vase between the frond spears.

Presented in superb original condition, the vase is stamped correctly beneath with the Doulton Lambeth stamp and dated 1877. It further has the marks of the assistant “E.L.H”, all typical of George’s work in this period. We cannot iterate enough what a gem this vase is and it will absolutely thrill its new owner!

For sale is a stunning and substantial Late Cornflower vase by William Moorcroft, dating between 1925-1935. Decorated with eight large cornflowers in pinks and purples, the vase absolutely explodes with colour. Contrasting wonderfully against a white background, it displays extremely well and is an eye catching centre piece. At 9 inches or 23cm tall and with a circumference of almost 20 inches or 50cm, this is a fabulous size and worthy of any discerning collection.

Rare Doulton Lambeth Agate Ware Jug with Sterling Silver Rim, Dated 1892
A highly unusual and artistically rich piece from Doulton’s experimental Agate Ware range

This exceptional Doulton Lambeth Agate Ware jug, standing 20cm tall, is a rare and beautiful example of one of the studio’s most elusive ceramic techniques. Dated 1892, it combines striking form, complex surface decoration, and a unique blend of materials that exemplify the innovation and craftsmanship of late 19th-century Doulton.

The jug is of tapered form, with a rich marbling of variegated brown clay tones characteristic of agate ware—a technique involving the mixing of coloured clays to produce flowing, stone-like patterns across the surface. These naturalistic swirls serve as a dynamic backdrop for a wealth of textural and decorative detail.

The surface features fine vertical linear striations, adding subtle texture, and is punctuated by zigzag miniature impressed motifs that create rhythmic surface interest. Two bold, raised wicker-effect bands—one encircling the base and another just below the collar—add further structure and visual weight to the form. A particularly striking feature is the flamboyant, flared handle, sculpturally sweeping from shoulder to rim with a confident, organic curve.

Crowning the jug is a solid sterling silver mount, hallmarked for London, 1892, and made by the respected silversmiths Cornelius Desormeaux Saunders & James Francis Hollings (Frank) Shepherd. The addition of silver not only elevates the piece but situates it firmly within the decorative luxury market of the time.

To the base are impressed marks including the Doulton Lambeth cogwheel stamp, “England”, the series number 7191, and the incised monogram of decorator Elizabeth Atkins, one of the documented artists of the period.

Agate Ware pieces from Doulton are exceedingly scarce, produced only in limited quantities and rarely seen on the open market today. Their technical difficulty and aesthetic complexity make them among the most desirable of all Lambeth studio wares.

A superb and tactile piece with exceptional presence—this jug would make a standout addition to any advanced collection of Victorian art pottery.

Dimensions: 20cm tall
Condition: Excellent with no restoration
Marks: Doulton Lambeth stamp, “England”, 7191, silver hallmarks (London, 1892), maker’s mark (CS over FS), Elizabeth Atkins monogram

For sale is a wonderful, early Martin Brothers aquatic jug dated January 1884.

Aquatic Jug – Robert Wallace Martin

The Martin Brothers were renowned for their extraordinary skill in ceramics, known for their unique and imaginative designs. This jug, likely crafted by Robert Wallace Martin, embodies these characteristics. Robert, the eldest of the Martin brothers, was celebrated for his detailed and creative work. His pieces often drew inspiration from nature, as seen in the lifelike representations of marine life on this jug.

Condition and authenticity depiction of the skate, mackerel, and eels adds a dynamic and captivating element to the piece. These features are typical of Robert Wallace Martin’s work, known for infusing personality

In summary, this piece is beautiful, highly original  and its condition is immaculate, with no damage or restoration. The detailed skate, mackerel, and eels, set against a naturalistic background, showcase the remarkable skill and creativity of the Martin Brothers. Signed and dated January 1884, this jug is a valuable and collectible example of their early work, sure to be cherished by the discerning collector.

For sale is a wonderful, early Martin Brothers aquatic jug dated January 1884.

Aquatic Jug – Robert Wallace Martin

The Martin Brothers were renowned for their extraordinary skill in ceramics, known for their unique and imaginative designs. This jug, likely crafted by Robert Wallace Martin, embodies these characteristics. Robert, the eldest of the Martin brothers, was celebrated for his detailed and creative work. His pieces often drew inspiration from nature, as seen in the lifelike representations of marine life on this jug.

Condition and authenticity depiction of the skate, mackerel, and eels adds a dynamic and captivating element to the piece. These features are typical of Robert Wallace Martin’s work, known for infusing personality

In summary, this piece is beautiful, highly original  and its condition is immaculate, with no damage or restoration. The detailed skate, mackerel, and eels, set against a naturalistic background, showcase the remarkable skill and creativity of the Martin Brothers. Signed and dated January 1884, this jug is a valuable and collectible example of their early work, sure to be cherished by the discerning collector.

For sale is this superb Martin Brothers Aquatic Fish vase which is a striking example of their exceptional artistry. The vase features banding at both the top and bottom, framing the whimsical scene. The main part of the vase displays eight fish, each with a whimsical expression and in different poses. These fish are set against a blue and cream background, creating a captivating seawater effect. Interspersed among the fish are seaweed and shells, adding to the aquatic theme. This vase, likely made by Robert Wallace Martin, showcases the exceptional skill of the Martin Brothers beautifully.

For sale we have a superb quality double-gourd Florian Daisy vase by William Moorcroft dating to around 1902. An early piece of Florian Ware in the daisy pattern, with its vibrant green and blue hues, is not just a decorative item but a testament to Moorcroft’s artistic vision and technical skill. This piece captures the essence of the Art Nouveau movement and the early 20th-century fascination with nature, making it a prized artifact from the golden age of British art pottery.

In excellent original condition with no chips, cracks or prior restoration. The piece is signed “W Moorcroft Des” in green ink entirely correct for the period.

In 1873, Arthur Barlow crafted a remarkable Doulton Lambeth ewer, a testament to his exceptional skill and artistic vision. This ewer, notable for its generous proportions, is adorned with intricate scrolling beadwork, florette roundels, and elegant foliate designs. Characteristic of Barlow’s style, it features his distinctive banding in the background, adding depth and texture to the piece. The top of the ewer is crowned with a solid sterling silver lid, which is original and was crafted in London in 1873 by the esteemed silversmiths Richards & Brown.

The condition of this ewer is impeccable; it remains in its original state with no chips, cracks, or restoration, preserving its historical and aesthetic value. Beneath the foot of the ewer, one can find Arthur Barlow’s signature alongside the Doulton Lambeth oval stamp, authenticating its origin and craftsmanship.

Martin Brothers Imp playing the Blocks – Robert Wallace Martin

For sale is this delightful and cheeky looking imp playing the blocks. It is in excellent condition, with a very minor old “touch in” to the tip of the block instrument. Otherwise it is in wonderful original condition. It hails from the prominent collection of Barry Stock, a well known collector based out of the UK.

The Martin Brothers Imps are a fascinating and highly collectible series of grotesque figures, each one depicting a whimsical imp engaged in playing various musical instruments. These figures, created by the renowned Martin Brothers, are celebrated for their unique blend of humor, artistry, and intricate craftsmanship. The Martin Brothers—Robert Wallace Martin, Edwin Martin, Walter Martin, and Charles Martin—were pioneers in the field of ceramic art during the late 19th and early 20th centuries. They are best known for their imaginative and often eccentric creations, which have garnered a dedicated following among collectors and art enthusiasts.

What exactly is it?

For sale is this highly unusual and grotesque Martin Brothers reptile sitting on top of an upside down mushroom. Intricately constructed with a body hideous to behold, we have not seen another quite like this piece. The creature, with almost human like face, has a hand to its mouth like it is whistling, whilst its menacing double-taloned feet grip the underside of the mushroom. The body is contorted and detailed as if scaly, the texture brought out by blue against the otherwise pale cream colourway. The creature has a long tail, going down to the base of the mushroom stem and then curling around. The mushroom has long painted green strokes.

Which brother made it?

Likely to have been made by the brother most famed for grotesque, whimsical and macabre creations, Robert Wallace Martin.

For sale is this gorgeous, Eventide squat vase by William Moorcroft, dating to 1928 or soon thereafter. Decorated with large and small trees in the wondrous evening red/amber colourway, it is a wonderful vase that displays extremely well due to the angles of the vase under cabinet lights! The Eventide pattern prominently features a landscape scene, typically showcasing a moody, twilight setting and is characterized by its depiction of trees and often includes a setting or rising sun, casting a warm, glowing effect over the scene. It is one of the most sought after rare designs.

In 1873, Arthur Barlow crafted a remarkable Doulton Lambeth ewer, a testament to his exceptional skill and artistic vision. This ewer, notable for its generous proportions, is adorned with intricate scrolling beadwork, florette roundels, and elegant foliate designs. Characteristic of Barlow’s style, it features his distinctive banding in the background, adding depth and texture to the piece. The top of the ewer is crowned with a solid sterling silver lid, which is original and was crafted in London in 1873 by the esteemed silversmiths Richards & Brown.

The condition of this ewer is impeccable; it remains in its original state with no chips, cracks, or restoration, preserving its historical and aesthetic value. Beneath the foot of the ewer, one can find Arthur Barlow’s signature alongside the Doulton Lambeth oval stamp, authenticating its origin and craftsmanship.

For sale we have an early beautiful Doulton Lambeth ewer by rare artist Emily J Edwards, dating to 1875. The design work shows early Tinworth influences, however Emily was a very talented artist and brings her own creativity to the piece. Holly leaves hanging from beaded banding, and then a mix of florals and angular motifs to make this an impressive piece. The dotted collars at the base of the neck show influences from Arthur Barlow too, Adorned with a pewter lid, this piece is as authentic and original as they come. A lovely piece for a rare artist who is much rarer to find than other artists due to her short tenure.

The jug is free from any chips, cracks or restoration. The pewter rim is original. Beneath we have Emily’s signature, together with the marks of the assistant and thrower and the Doulton Lambeth oval stamp with the date 1875.

For sale we have a stunning, large Doulton Lambeth bowl by artist Elizabeth Fisher, dating to 1882. The colours and designs both inside and out on this bowl are of the first order, with geometric shapes integrated into softer rounded shapes. The collour way is exquisite – we have rich blues in the centre of the designs, followed by light blue, yellow and then purple and pink to create a most striking bowl. The edge is rimmed with solid silver, made in Birmingham and is original to manufacture.

The Bowl is free from any chips, cracks or restoration. The silver rim is original. Beneath we have Eliza Fisher’s signature, together with the marks of the assistant and thrower, a code “327” and the Doulton Lambeth cog stamp with the date 1882.

For sale we have a gorgeous Doulton Lambeth miniature Hannah Barlow vase, dating to the turn of the century.

Decorated with five horses eating grass and nibbling tree leaves, this diminutive vase is a true delight. With a bronzed stoneware glaze on which Hannah has worked her sgraffito, it is a warm, charming little piece. It would not surprise if a hint of metallic oxides were used as there is a slight lustrousness to the glaze. Measuring 13cm, or just over 5 inches, there are not many Hannah Barlow pieces of this size around!

For sale is this exquisite, early Florian Ware vase by William Moorcroft, dating to around 1902. Decorated with what we believe to be forget-me-nots surrounded by whisps of foliage, it is a little firecracker at only 7cm tall! With warm blues and greens, under light in our cabinets it really does look magnificent. The whole vase from top to toe is brimming with decoration which also makes it so appealing.

William Moorcroft at the time of making this piece was working for James MacIntyre & Co, where he became very successful with Florian Ware and after they closed his department, he continued in his own name to go onto become one of the most successful art potters of his time.

Offered for sale in excellent original condition, this vase has had no damage or restoration. It has the “William Moorcroft Des” signature in green, present and correct for the period. “Des” indicated he was the designer working for MacIntyre and is most often seen following his name on these early pieces.

For sale is a delightful and very early Hannah Barlow Horses jug, dated 1874. Presented with two horses galloping to the front of the jug, wild grasses adorn the rear of the jug. Blue foliate designs dominate the neck up to the top rim and are typical of these early, simpler designs that are more understated than flamboyant. The handle is similarly decorated in repeated blue foliates from bottom to top.

In excellent condition, the piece is highly original, with only a small flake invisibly corrected to the rim. Everything else is correct and original as the day it left the factory. Stamped with the early oval Doulton Lambeth mark and dated 1874. Hannah Barlow’s initials are clear beneath as well as a production code.

This is a superb piece of Doulton Lambeth history which displays superbly and has a wonderful glaze to it. Should you be interested, you will not be disappointed adding it to your collection!

For sale is this stunning, early Spanish pattern trumpet vase by William Moorcroft. Decorated with an abundance of flowers and foliage using reds, oranges and greens to fantastic effect, this small vase is truly something to behold. The decoration begins from the vases hip, with flowers arranged around the vase. The inside of the top rim is similarly decorated with flower buds to really make the vase pop with colour and elegance.

The vase presents superbly throughout. To note is an area of invisible restoration beneath the hip and also a very fine small hairline to the top rim. Close examination reveals the hairline occurred whilst the vase was new and before age crazing occurred. This is not visible on display and has to be carefully looked for. The

For sale is an extremely early Doulton Lambeth art pottery small jug. Made in the late 1860s. These pieces are few and far between and even rarer to find in perfect condition. Adorned with many repeated geometric shapes, with primarily pyramid shapes to the body before a rounded collar to the neck. Vertical interspersed lines then delicately decorate the neck. The handle is smooth, simply with an upturned end to the base. The simplicity, yet the brilliance of all the different sized pyramids create such an interesting effect.

A couple of these early pieces are illustrated in “The Doulton Lambeth Wares” book by Desmond Eyles and Louise Irvine. They came just before the very first George Tinworth pieces so are a prize for the collector who would like to include the earliest work in their collection.

Stamped beneath with the rare Doulton Lambeth box lettered stamp, this is the stamp that preceded the early oval stamp. It is not signed by an artist. A wonderful piece of history!

For sale we have this tall and commanding Doulton Lambeth vase by George Tinworth. It is an early piece, dating to 1876.

George has used his signature “Seaweed Scroll” design across the vase to great effect, with subtle green seaweed contrasted against a rich brown background. The beading work to the scrolls is refined and delicate. Geometric tactile borders reside above and below the scrolling, with vertical leaf patterns extenuating the narrow base section to give interest and play to its height. The leaves also have subtle purples and pinks in them, which really adds to the piece overall. Inside the rim, the purple is evident again and adds further contrast to a well executed vase by Doulton Lambeth’s master artist.

Presented in undamaged original condition, the vase is stamped correctly beneath with the oval Doulton Lambeth stamp and the date 1876. This vase was originally one of two, and only one was signed with the GT monogram to the main body, which was a typical scenario. The picture of the other vase is provided below as proof that this piece is 100% a George Tinworth vase. Offered for sale at a very competitive price. The buyer will not be disappointed!

For sale is a very early Doulton Lambeth jug by their most famous artist, George Tinworth. Dated 1874, in our opinion this piece represents a rarer and  finer quality work by Tinworth. Unusually, the Seaweed Scroll work is absent on this piece, as George has decided to work towards a different effect. He has used the beading which is large and raised (sharp to the touch) to create four horizon borders. He has then crossed diagonal lines to create a diamond criss-cross effect. Within each diamond segment is then decorated blue bulbous forms which house intricate florette roundels to the centre diamonds, and beads to the smaller areas. The background is coloured to mid-brown.

Beneath, the jug is stamped with the early oval Doulton Lambeth mark and dated 1874. Further it has George’s monogram clearly engraved and that of an assistant or thrower. The jug is in fabulous condition, with only a very minor professional, invisible restoration to a small top rim chip. The quality of this jug will delight any serious early Doulton or Arts & Crafts collectors!

For sale is a very early Doulton Lambeth pitcher by Arthur Barlow with a unique story. This pitcher belonged to one of the players responsible for the very first inaugural FA Cup win in 1872. William Crake (aka William Parry), playing for Wanderers FC in 1872, claimed a 1-0 victory at Kennington Oval over a tough game with the Royal Engineers.

The pitcher itself is a highly desirable piece in the typical early style and colours of Doulton and Barlow. With the main body decorated with bold blue scrolling florals, there are miniature scrolling floral borders above and below. Further tactile anglular pattern borders sit below the lid, between the scroll work and to the base. The handle is decorated with a simple leaf venation pattern. The top is adorned with the original solid silver rim and lid. To top centre is the Crake family crest, and inside the lid is a lovely crisp inscription “To William Parry Crake from E.N.C. February 11th 1873.” with decorative embellishment.

This early piece is in very good condition. Professional stabilising of the handle is evident, and there are a few minor nibbles to the base commensurate with age. Otherwise, the lid is all original and there is no evidence of any other chips or cracks. The base is stamped with the early oval Doulton Lambeth mark and Arthur Barlow’s “ABB” signature is present and correct.

For sale is a piece of Florian “Green and Gold” by William Moorcroft circa 1903-08. In double gourd shape, it is arguably one of the most desirable shapes to secure in your collection. At 27.5cm tall, it is a substantial piece. It counts three flower and tulip buds each to the top of the vase with the same again to the bottom gourd of the vase, so twelve buds in total. The gilt is in excellent condition so this piece really “pops” in a display cabinet.

The vase is being sold in excellent original condition with no damage or restoration. Beneath, the Florian Ware stamp and William’s flash signature in green is present and correct.