Shop Grid – 3 Columns

For sale is this diminutive vase, likely to have been made by Edwin Martin, the youngest of the Martin Brothers. This vase is tiny  – 4cm tall by 3.75cm wide! In low light, one might mistake it as being black, but under light a strong blue shows through. With a delicate little top rim, and traditional rounded shape, it really is a vase in miniature!

For sale is a piece of Florian “Green and Gold” by William Moorcroft circa 1903-08. In double gourd shape, it is arguably one of the most desirable shapes to secure in your collection. At 27.5cm tall, it is a substantial piece. It counts three flower and tulip buds each to the top of the vase with the same again to the bottom gourd of the vase, so twelve buds in total. The gilt is in excellent condition so this piece really “pops” in a display cabinet.

The vase is being sold in excellent original condition with no damage or restoration. Beneath, the Florian Ware stamp and William’s flash signature in green is present and correct.

Rare George Tinworth for Doulton Lambeth – Stoneware Model of a Carpenter’s Bag (c. 1880s–1890s)

This finely modelled stoneware study of a carpenter’s bag is a superb example of the whimsical yet highly skilled designs created under the direction of George Tinworth for Doulton Lambeth in the late Victorian period. Measuring approximately 13.5cm in length and 8.5cm in height, the model is remarkable for both its craftsmanship and detail.

The body of the bag is finished in a warm creamy light brown glaze, while the edges, straps, and handles are picked out in a contrasting darker hue, emphasising the form and adding depth. One side of the bag is richly decorated with Victorian-era woodworking planes, while the opposite side, open and more restrained, reveals only a woodsaw within. On the integrated stoneware plinth, tools of the trade—a mallet to one side and a chisel or file to the other—are carefully arranged, grounding the piece in the world of the Victorian craftsman.

This model captures Tinworth’s hallmark ability to combine utility, charm, and social observation in a single work of art. Pieces such as this, with their humour and realism, were often intended as conversation pieces and today are regarded as rare and highly sought-after examples of Doulton Lambeth artistry.

The base carries the impressed Doulton Lambeth circular mark, together with the initials “EMW”—likely one of the assistants or moulders working under Tinworth’s direction—along with the registration stamp “Rd” and the series number 162583. The piece remains in excellent, unrestored condition, free from cracks or repairs.

A wonderful and rare George Tinworth study, this model exemplifies the creativity and craftsmanship of the Doulton Lambeth workshops at their height and represents a fine acquisition for the discerning collector of Victorian stoneware and Tinworth’s celebrated oeuvre.

Offered for sale is a pair of wonderful lemonade beakers by renowned Doulton Lambeth artist George Tinworth. The beakers are decorated with his lovely swirling and beaded “Seaweed Scroll” design in the richest of green hues. Intermittent foliage in bold blue has been placed between, above or below the scroll work. The background is in an oatmeal colour repeatedly stamped with a small design to finish the aesthetic intensity of these art pottery pieces. Adorned to the top are excellent conditioned brass rims. In excellent original condition and fully signed, stamped and dated 1877.

In 1873, Arthur Barlow crafted a remarkable Doulton Lambeth ewer, a testament to his exceptional skill and artistic vision. This ewer, notable for its generous proportions, is adorned with intricate scrolling beadwork, florette roundels, and elegant foliate designs. Characteristic of Barlow’s style, it features his distinctive banding in the background, adding depth and texture to the piece. The top of the ewer is crowned with a solid sterling silver lid, which is original and was crafted in London in 1873 by the esteemed silversmiths Richards & Brown.

The condition of this ewer is impeccable; it remains in its original state with no chips, cracks, or restoration, preserving its historical and aesthetic value. Beneath the foot of the ewer, one can find Arthur Barlow’s signature alongside the Doulton Lambeth oval stamp, authenticating its origin and craftsmanship.

For sale is this stunning, early Spanish pattern trumpet vase by William Moorcroft. Decorated with an abundance of flowers and foliage using reds, oranges and greens to fantastic effect, this small vase is truly something to behold. The decoration begins from the vases hip, with flowers arranged around the vase. The inside of the top rim is similarly decorated with flower buds to really make the vase pop with colour and elegance.

The vase presents superbly throughout. To note is an area of invisible restoration beneath the hip and also a very fine small hairline to the top rim. Close examination reveals the hairline occurred whilst the vase was new and before age crazing occurred. This is not visible on display and has to be carefully looked for. The

For sale is this exquisite, early Florian Ware vase by William Moorcroft, dating to around 1902. Decorated with what we believe to be forget-me-nots surrounded by whisps of foliage, it is a little firecracker at only 7cm tall! With warm blues and greens, under light in our cabinets it really does look magnificent. The whole vase from top to toe is brimming with decoration which also makes it so appealing.

William Moorcroft at the time of making this piece was working for James MacIntyre & Co, where he became very successful with Florian Ware and after they closed his department, he continued in his own name to go onto become one of the most successful art potters of his time.

Offered for sale in excellent original condition, this vase has had no damage or restoration. It has the “William Moorcroft Des” signature in green, present and correct for the period. “Des” indicated he was the designer working for MacIntyre and is most often seen following his name on these early pieces.

Martin Brothers Early Stamped Small Jug

For sale is this truly delightful early Martin Brothers jug, dated 23-06-1880. Rare to find, this jug is stamped with the early “R.W. Martin Southall” stamp which dates it authentically to 1880.

To the top half, the jug has been coloured with a mix of rich brown and light metallic oxides to give the brown an additional sheen to it. Beneath, bandings of small circles and lines separate the brown top section from the framing of the zig-zag simple foliate and flower desgned motifs. A subtle olive-green presents in the centre bandng and onto the jug handle for further contrast to this wonderful early piece.

Beneath, the R.W. Martin Southall” stamp is clear as well as the hand-inscribed date of 23-06-1880.

This piece is in wonderful orginal condition and is free from any chips, cracks or repairs. It measures 14cm tall by approximately 10.5cm wide including the handle.

This is Martin Brothers in its simple authenticity, in wonderful condition. Adding it to your collection will not disappoint and it is a lovely size for a cabinet.

For sale is a very early Doulton Lambeth pitcher by Arthur Barlow with a unique story. This pitcher belonged to one of the players responsible for the very first inaugural FA Cup win in 1872. William Crake (aka William Parry), playing for Wanderers FC in 1872, claimed a 1-0 victory at Kennington Oval over a tough game with the Royal Engineers.

The pitcher itself is a highly desirable piece in the typical early style and colours of Doulton and Barlow. With the main body decorated with bold blue scrolling florals, there are miniature scrolling floral borders above and below. Further tactile anglular pattern borders sit below the lid, between the scroll work and to the base. The handle is decorated with a simple leaf venation pattern. The top is adorned with the original solid silver rim and lid. To top centre is the Crake family crest, and inside the lid is a lovely crisp inscription “To William Parry Crake from E.N.C. February 11th 1873.” with decorative embellishment.

This early piece is in very good condition. Professional stabilising of the handle is evident, and there are a few minor nibbles to the base commensurate with age. Otherwise, the lid is all original and there is no evidence of any other chips or cracks. The base is stamped with the early oval Doulton Lambeth mark and Arthur Barlow’s “ABB” signature is present and correct.