Shop Grid – 3 Columns

For sale for the pair, are these beautifully executed Foliate vases, demonstrating the very best of Doulton Lambeth Arts & Crafts as the classical period moved towards Art Nouveau. By Emily E. Stormer, one of my favourite Lambeth artists, she has not held back in the execution of these vases.

Offered in excellent original condition, the vases are both clearly signed with Emily Stormer’s initials, the assistant marks and the round “cog” and “England”, dating these vases to the 1890s. Buy the pair as a real statement. You will not be disappointed.

For sale is an extremely early Doulton Lambeth art pottery small jug. Made in the late 1860s. These pieces are few and far between and even rarer to find in perfect condition. Adorned with many repeated geometric shapes, with primarily pyramid shapes to the body before a rounded collar to the neck. Vertical interspersed lines then delicately decorate the neck. The handle is smooth, simply with an upturned end to the base. The simplicity, yet the brilliance of all the different sized pyramids create such an interesting effect.

A couple of these early pieces are illustrated in “The Doulton Lambeth Wares” book by Desmond Eyles and Louise Irvine. They came just before the very first George Tinworth pieces so are a prize for the collector who would like to include the earliest work in their collection.

Stamped beneath with the rare Doulton Lambeth box lettered stamp, this is the stamp that preceded the early oval stamp. It is not signed by an artist. A wonderful piece of history!

A rare 1887 Doulton Lambeth stoneware vase designed by celebrated artist Eliza Simmance. Featuring rich cobalt blue glazes and hand-detailed floral work, this 18 cm piece is in flawless original condition. Complete with impressed factory and artist marks on the base.

For sale is a piece of Florian “Green and Gold” by William Moorcroft circa 1903-08. In double gourd shape, it is arguably one of the most desirable shapes to secure in your collection. At 27.5cm tall, it is a substantial piece. It counts three flower and tulip buds each to the top of the vase with the same again to the bottom gourd of the vase, so twelve buds in total. The gilt is in excellent condition so this piece really “pops” in a display cabinet.

The vase is being sold in excellent original condition with no damage or restoration. Beneath, the Florian Ware stamp and William’s flash signature in green is present and correct.

For sale is this stunning, early Spanish pattern trumpet vase by William Moorcroft. Decorated with an abundance of flowers and foliage using reds, oranges and greens to fantastic effect, this small vase is truly something to behold. The decoration begins from the vases hip, with flowers arranged around the vase. The inside of the top rim is similarly decorated with flower buds to really make the vase pop with colour and elegance.

The vase presents superbly throughout. To note is an area of invisible restoration beneath the hip and also a very fine small hairline to the top rim. Close examination reveals the hairline occurred whilst the vase was new and before age crazing occurred. This is not visible on display and has to be carefully looked for. The

For sale we have a superb quality double-gourd Florian Daisy vase by William Moorcroft dating to around 1902. An early piece of Florian Ware in the daisy pattern, with its vibrant green and blue hues, is not just a decorative item but a testament to Moorcroft’s artistic vision and technical skill. This piece captures the essence of the Art Nouveau movement and the early 20th-century fascination with nature, making it a prized artifact from the golden age of British art pottery.

In excellent original condition with no chips, cracks or prior restoration. The piece is signed “W Moorcroft Des” in green ink entirely correct for the period.

For sale is a delightful and very early Hannah Barlow Horses jug, dated 1874. Presented with two horses galloping to the front of the jug, wild grasses adorn the rear of the jug. Blue foliate designs dominate the neck up to the top rim and are typical of these early, simpler designs that are more understated than flamboyant. The handle is similarly decorated in repeated blue foliates from bottom to top.

In excellent condition, the piece is highly original, with only a small flake invisibly corrected to the rim. Everything else is correct and original as the day it left the factory. Stamped with the early oval Doulton Lambeth mark and dated 1874. Hannah Barlow’s initials are clear beneath as well as a production code.

This is a superb piece of Doulton Lambeth history which displays superbly and has a wonderful glaze to it. Should you be interested, you will not be disappointed adding it to your collection!

For sale we have an early beautiful Doulton Lambeth ewer by rare artist Emily J Edwards, dating to 1875. The design work shows early Tinworth influences, however Emily was a very talented artist and brings her own creativity to the piece. Holly leaves hanging from beaded banding, and then a mix of florals and angular motifs to make this an impressive piece. The dotted collars at the base of the neck show influences from Arthur Barlow too, Adorned with a pewter lid, this piece is as authentic and original as they come. A lovely piece for a rare artist who is much rarer to find than other artists due to her short tenure.

The jug is free from any chips, cracks or restoration. The pewter rim is original. Beneath we have Emily’s signature, together with the marks of the assistant and thrower and the Doulton Lambeth oval stamp with the date 1875.

Double Ribbed Martin Brothers Lustre vase – June 1907

For sale is this really interesting example of Edwin and Walter Martins’ organic pottery work. The vase is of subtle bulbous form, with a multitude of thin horizontal ribs and then large pronouced vertical ribs from the waist to the top rim. The Brothers have then applied a rich deep brown / dark grey / black colour with metallic oxide to give a wonderful lustre to the piece. In the photographs, observe the different angles where we try and illustrate the effect. This is a wonderful example of their work and is a most subtle, yet highly competent execution.

Condition and Provenance

The vase is in excellent original condition, with no chips, cracks, or repairs. A couple of specks on the main body of the vase are small imperfections during the manufacture of the vase. The signature beneath is 100% consistent with period pieces and is marked “6-1907, Martin Bros, London & Southall”, again entirely consistent and authentic. See the V&A Museum picture below of a virtually identical example from the same year by Edwin.