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For sale is a stunning and substantial Late Cornflower vase by William Moorcroft, dating between 1925-1935. Decorated with eight large cornflowers in pinks and purples, the vase absolutely explodes with colour. Contrasting wonderfully against a white background, it displays extremely well and is an eye catching centre piece. At 9 inches or 23cm tall and with a circumference of almost 20 inches or 50cm, this is a fabulous size and worthy of any discerning collection.

For sale is a delightful and very early Hannah Barlow Horses jug, dated 1874. Presented with two horses galloping to the front of the jug, wild grasses adorn the rear of the jug. Blue foliate designs dominate the neck up to the top rim and are typical of these early, simpler designs that are more understated than flamboyant. The handle is similarly decorated in repeated blue foliates from bottom to top.

In excellent condition, the piece is highly original, with only a small flake invisibly corrected to the rim. Everything else is correct and original as the day it left the factory. Stamped with the early oval Doulton Lambeth mark and dated 1874. Hannah Barlow’s initials are clear beneath as well as a production code.

This is a superb piece of Doulton Lambeth history which displays superbly and has a wonderful glaze to it. Should you be interested, you will not be disappointed adding it to your collection!

C.H. Brannam Barum Sgraffito Fish Jug by Thomas Liverton (1908)

This substantial CH Brannam art pottery jug, dated 1908, is a highly representative example of the Devon-based pottery’s Edwardian output. Measuring 17.5cm in height and 25cm across its widest point (including the handle), the vessel features a strong, squat bulbous body, a broad neck, and a sturdy applied handle.

Design and Decoration The jug is finished in a rich, deep green ground and ornamented using the sgraffito technique that became a hallmark of Brannam’s art wares. The primary decoration features a dynamic aquatic motif with two distinct fish: a beautifully detailed carp and a highly unusual, rare depiction of a sturgeon. These central figures are surrounded by stylized aquatic elements, including incised lily pads, undulating pond weed, and swirling water patterns. These accents are picked out in contrasting colored slips of deep blue, pale green, and earthy brown, showcasing a clear Art Nouveau influence.

Condition The item presents in very good, original condition considering Brannam’s fragile clay. There is a distinct, triangular loss of glaze located near the head of the carp. Additionally, the rim features a glazed-over imperfection; this is a pre-firing manufacturing anomaly rather than subsequent damage, offering a glimpse into the artisanal firing process. The remainder of the vessel displays age-related wear while retaining a highly vibrant and glossy glaze. No restoration is observed throughout.

Authenticity and Marks The base of the jug is fully marked and authenticated. It is clearly incised with the signature C.H. Brannam Barum, the date 1908, and the design registration number Rd 44561. Crucially for collectors, it bears the distinct TL monogram, identifying the decorator as Thomas Arthur Liverton, one of the pottery’s premier artists during this era.

For sale is wonderful early piece of Doulton Lambeth Faience, dated 1875. Decorated by artist Mary Capes, it is what I consider a really bright and joyful piece to behond. Mary has been flamboyant, bringing pink/red hibiscus type florals and smaller yellow flowers into an intricate foliage. Interspersed, are angular, almost kaleidoscope shapes which add real interest to the aesthetic. Borders on the neck narrow, mid-body and foot use different blues to create a wonderful contrast and they keep the piece light and perfect to lift a room.

Standing 23cm tall, and 13cm wide, this is a perfect size for the collector, being flexible and presentable in or out of a lit cabinet.

Beneath are the early oval Doulton Lambeth stamps, 1875, and the painted on initials for Mary Capes. All presents correctly.

Martin Brothers Early Stamped Small Jug

For sale is this truly delightful early Martin Brothers jug, dated 23-06-1880. Rare to find, this jug is stamped with the early “R.W. Martin Southall” stamp which dates it authentically to 1880.

To the top half, the jug has been coloured with a mix of rich brown and light metallic oxides to give the brown an additional sheen to it. Beneath, bandings of small circles and lines separate the brown top section from the framing of the zig-zag simple foliate and flower desgned motifs. A subtle olive-green presents in the centre bandng and onto the jug handle for further contrast to this wonderful early piece.

Beneath, the R.W. Martin Southall” stamp is clear as well as the hand-inscribed date of 23-06-1880.

This piece is in wonderful orginal condition and is free from any chips, cracks or repairs. It measures 14cm tall by approximately 10.5cm wide including the handle.

This is Martin Brothers in its simple authenticity, in wonderful condition. Adding it to your collection will not disappoint and it is a lovely size for a cabinet.

Offered for sale is this very early 1871-1872 gourd vase by the famous Arthur Barlow. Arthur was brother to the famous Hannah Barlow. Extremely disabled from an accident as a child, Arthur Barlow found his purpose and explored his gifts at Doulton Lambeth. He became one of the sought after artists representing often the best of the early 1870s work. He died young in 1877, so his work is rare.

For sale is an exceptionally high quality Doulton Lambeth bowl, dating 1875. Made by renowned early artist Arthur Barlow, he was the brother to similarly famous Hannah Barlow. The bowl is intricately decorated to the body in typical, rich 1870’s style, with strong influences from George Tinworth. This can be observed by the beaded scrollwork around the circumference, and the two cherub-like putti emerging from trumpeted flowers. The putti are highly likely the work of Tinworth or John Broad, known to add collaboration design to other artists’ pieces. The colours and rich glaze are glorious. The blues are vibrant, and the purple tones so, so alluring.

For sale we this delightful and cute little CH Brannam “open salt” decorated with two surprisingly detailed fish dating to 1901. This is the work of Frank Thomas, one of the better known artists for the potter. The fish are surrounded by various colourful waterplants. It is a little gem of a piece.

Condition

Offered in excellent original condition with no chips, cracks or restoration.

Authenticity

For authenticity, beneath, we have the registration number of CH Brannam, “Rd 44561”, the signature CH Brannam Barum, the signature “FT” signifying the work of Frank Thomas and the date 1901.

William Moorcroft “Claremont” Vase – Shape M55, c.1925
A vibrant and highly desirable example of one of Moorcroft’s most celebrated patterns

This exquisite M55-shaped William Moorcroft vase, dating to the mid-1920s, showcases the iconic Claremont pattern—one of the most sought-after designs in the Moorcroft repertoire.

Encircling the body are ten finely tubelined toadstools, rendered in vivid and varied tones: four rich reds, four warm yellows, and two deep, velvety blues. Each cap is detailed with Claremont’s hallmark speckled surface and beautifully defined gill undersides—an artistic hallmark that makes this pattern so visually captivating. The base colour merges lush green and inky blue glazes, creating a moody, woodland atmosphere that complements the naturalistic subject matter.

To the underside, the vase bears the impressed marks “Moorcroft” and “Made in England”, along with the model number “M55”, confirming its authenticity and period origin.

A small, invisible professional restoration has been carried out to the top rim, precisely between a large yellow and large red toadstool. The restoration is of a high standard, with only a subtle uniformity of colour betraying the repaired area under close inspection. Importantly, the most visually dominant red toadstool sits on the opposite, untouched side, making this piece an outstanding display example.

Compact in scale but striking in design, this Claremont vase is a true collector’s gem—a perfect representation of Moorcroft’s artistry during the golden period of British Art Pottery.

Dimensions: Height: 7cm; Width 8cm
Condition: Professionally restored rim; still displays beautifully

Rare George Tinworth for Doulton Lambeth – Stoneware Model of a Carpenter’s Bag (c. 1880s–1890s)

This finely modelled stoneware study of a carpenter’s bag is a superb example of the whimsical yet highly skilled designs created under the direction of George Tinworth for Doulton Lambeth in the late Victorian period. Measuring approximately 13.5cm in length and 8.5cm in height, the model is remarkable for both its craftsmanship and detail.

The body of the bag is finished in a warm creamy light brown glaze, while the edges, straps, and handles are picked out in a contrasting darker hue, emphasising the form and adding depth. One side of the bag is richly decorated with Victorian-era woodworking planes, while the opposite side, open and more restrained, reveals only a woodsaw within. On the integrated stoneware plinth, tools of the trade—a mallet to one side and a chisel or file to the other—are carefully arranged, grounding the piece in the world of the Victorian craftsman.

This model captures Tinworth’s hallmark ability to combine utility, charm, and social observation in a single work of art. Pieces such as this, with their humour and realism, were often intended as conversation pieces and today are regarded as rare and highly sought-after examples of Doulton Lambeth artistry.

The base carries the impressed Doulton Lambeth circular mark, together with the initials “EMW”—likely one of the assistants or moulders working under Tinworth’s direction—along with the registration stamp “Rd” and the series number 162583. The piece remains in excellent, unrestored condition, free from cracks or repairs.

A wonderful and rare George Tinworth study, this model exemplifies the creativity and craftsmanship of the Doulton Lambeth workshops at their height and represents a fine acquisition for the discerning collector of Victorian stoneware and Tinworth’s celebrated oeuvre.