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For sale is a very early Doulton Lambeth jug by their most famous artist, George Tinworth. Dated 1874, in our opinion this piece represents a rarer and  finer quality work by Tinworth. Unusually, the Seaweed Scroll work is absent on this piece, as George has decided to work towards a different effect. He has used the beading which is large and raised (sharp to the touch) to create four horizon borders. He has then crossed diagonal lines to create a diamond criss-cross effect. Within each diamond segment is then decorated blue bulbous forms which house intricate florette roundels to the centre diamonds, and beads to the smaller areas. The background is coloured to mid-brown.

Beneath, the jug is stamped with the early oval Doulton Lambeth mark and dated 1874. Further it has George’s monogram clearly engraved and that of an assistant or thrower. The jug is in fabulous condition, with only a very minor professional, invisible restoration to a small top rim chip. The quality of this jug will delight any serious early Doulton or Arts & Crafts collectors!

Offered for sale is a pair of wonderful lemonade beakers by renowned Doulton Lambeth artist George Tinworth. The beakers are decorated with his lovely swirling and beaded “Seaweed Scroll” design in the richest of green hues. Intermittent foliage in bold blue has been placed between, above or below the scroll work. The background is in an oatmeal colour repeatedly stamped with a small design to finish the aesthetic intensity of these art pottery pieces. Adorned to the top are excellent conditioned brass rims. In excellent original condition and fully signed, stamped and dated 1877.

What exactly is it?

For sale is this highly unusual and grotesque Martin Brothers reptile sitting on top of an upside down mushroom. Intricately constructed with a body hideous to behold, we have not seen another quite like this piece. The creature, with almost human like face, has a hand to its mouth like it is whistling, whilst its menacing double-taloned feet grip the underside of the mushroom. The body is contorted and detailed as if scaly, the texture brought out by blue against the otherwise pale cream colourway. The creature has a long tail, going down to the base of the mushroom stem and then curling around. The mushroom has long painted green strokes.

Which brother made it?

Likely to have been made by the brother most famed for grotesque, whimsical and macabre creations, Robert Wallace Martin.

For sale is an exceptional and very early Doulton Lambeth jug by rare and sought after artist Emily J. Edwards, dated 1874.

The vase is decorated with natural green foliage swirls that have a dotted, textured outline. The background really lights this piece up and is most unusual, being a mix of lighter shades blended into bold pinks, purples and blues to create a breathtaking effect of aesthetic splendour. Banded, lined borders draw influence from Arthur Barlow’s work, her peer. The handle presents with bands of lined borders and leaves.

The vase is overall in very good condition with no restoration. We have identified a small, faint hairline to the top rim, but it is hardly noticeable, has no edge to the nail, and therefore we believe the jug is best left untouched as the rest of its condition is wonderful.

Beneath the foot is the clear monogram of Emily J Edwards and the early oval Doulton Lambeth stamp, together with the year 1874. Assistant marks are also present, which is to be expecte

Martin Brothers Gnarly Olive Jug

Presenting an exceptional, historic gnarly-designed Martin Brothers art pottery jug, measuring approx. 22.5cm in height and 12.5cm in diameter. This piece from a highly sought-after potter features a robust baluster form jug, resting securely on a flared circular foot. Its gnarly silhouette is defined by a bulbous lower body that tapers into a cylindrical neck, culminating in a sweeping pouring lip and an applied, sturdy strap handle.

The jug is characterized by its tactile, heavily ribbed texture, a testament to its hand-thrown origins by eccentric brothers. A rich, dark olive-brown salt glaze dominates the meticulously textured body and handle. This deep, lustrous finish contrasts strikingly against the lighter, biscuit-toned clay left exposed at the rim, the interior, a thin defining band at the shoulder, and the foot. This earthy, two-tone palette masterfully accentuates the horizontal throwing lines that encircle the entire vessel.

Beneath the foot, the unglazed natural clay base proudly bears the authentic, hand-incised cursive signature reading “Martin” and “London”, securing its prestigious provenance. Preserved impeccably, this remarkable piece presents in excellent, original, and entirely undamaged condition, making it a museum-quality acquisition for discerning collectors of late 19th and early 20th-century British studio pottery.

For sale is an exceptionally high quality Doulton Lambeth bowl, dating 1875. Made by renowned early artist Arthur Barlow, he was the brother to similarly famous Hannah Barlow. The bowl is intricately decorated to the body in typical, rich 1870’s style, with strong influences from George Tinworth. This can be observed by the beaded scrollwork around the circumference, and the two cherub-like putti emerging from trumpeted flowers. The putti are highly likely the work of Tinworth or John Broad, known to add collaboration design to other artists’ pieces. The colours and rich glaze are glorious. The blues are vibrant, and the purple tones so, so alluring.

William Moorcroft Pomegranate Vase (Circa mid-1920s)

Presenting a fine William Moorcroft vase in the highly sought-after Pomegranate pattern, dating to the mid-1920s. Measuring 13cm in height and 9.5cm in width, the vessel features a well-proportioned baluster form with a gently flared rim and a sweeping circular foot. The piece survives in excellent original condition, completely free from chips, cracks, or restoration.

The tube-lined decoration displays the iconic Pomegranate design, featuring a continuous frieze of both whole and open fruit revealing intricately detailed seeds. These are interspersed with lush clusters of rounded berries and trailing autumnal foliage. The vibrant ochre, russet, and deep crimson tones of the pomegranates contrast strikingly against the characteristic inky cobalt blue ground, which transitions subtly to a mottled greenish-ochre toward the upper rim. The high-gloss glaze remains rich and reflective, enhancing the depth of the metallic oxide colors.

The underside displays the impressed factory marks “MOORCROFT” and “MADE IN ENGLAND”, alongside William Moorcroft’s painted “WM” flash monogram in blue, confirming its authentic mid-1920s production period.

In 1873, Arthur Barlow crafted a remarkable Doulton Lambeth ewer, a testament to his exceptional skill and artistic vision. This ewer, notable for its generous proportions, is adorned with intricate scrolling beadwork, florette roundels, and elegant foliate designs. Characteristic of Barlow’s style, it features his distinctive banding in the background, adding depth and texture to the piece. The top of the ewer is crowned with a solid sterling silver lid, which is original and was crafted in London in 1873 by the esteemed silversmiths Richards & Brown.

The condition of this ewer is impeccable; it remains in its original state with no chips, cracks, or restoration, preserving its historical and aesthetic value. Beneath the foot of the ewer, one can find Arthur Barlow’s signature alongside the Doulton Lambeth oval stamp, authenticating its origin and craftsmanship.

Martin Brothers Early Stamped Small Jug

For sale is this truly delightful early Martin Brothers jug, dated 23-06-1880. Rare to find, this jug is stamped with the early “R.W. Martin Southall” stamp which dates it authentically to 1880.

To the top half, the jug has been coloured with a mix of rich brown and light metallic oxides to give the brown an additional sheen to it. Beneath, bandings of small circles and lines separate the brown top section from the framing of the zig-zag simple foliate and flower desgned motifs. A subtle olive-green presents in the centre bandng and onto the jug handle for further contrast to this wonderful early piece.

Beneath, the R.W. Martin Southall” stamp is clear as well as the hand-inscribed date of 23-06-1880.

This piece is in wonderful orginal condition and is free from any chips, cracks or repairs. It measures 14cm tall by approximately 10.5cm wide including the handle.

This is Martin Brothers in its simple authenticity, in wonderful condition. Adding it to your collection will not disappoint and it is a lovely size for a cabinet.

For sale is a very early Doulton Lambeth pitcher by Arthur Barlow with a unique story. This pitcher belonged to one of the players responsible for the very first inaugural FA Cup win in 1872. William Crake (aka William Parry), playing for Wanderers FC in 1872, claimed a 1-0 victory at Kennington Oval over a tough game with the Royal Engineers.

The pitcher itself is a highly desirable piece in the typical early style and colours of Doulton and Barlow. With the main body decorated with bold blue scrolling florals, there are miniature scrolling floral borders above and below. Further tactile anglular pattern borders sit below the lid, between the scroll work and to the base. The handle is decorated with a simple leaf venation pattern. The top is adorned with the original solid silver rim and lid. To top centre is the Crake family crest, and inside the lid is a lovely crisp inscription “To William Parry Crake from E.N.C. February 11th 1873.” with decorative embellishment.

This early piece is in very good condition. Professional stabilising of the handle is evident, and there are a few minor nibbles to the base commensurate with age. Otherwise, the lid is all original and there is no evidence of any other chips or cracks. The base is stamped with the early oval Doulton Lambeth mark and Arthur Barlow’s “ABB” signature is present and correct.