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For sale for the pair, are these beautifully executed Foliate vases, demonstrating the very best of Doulton Lambeth Arts & Crafts as the classical period moved towards Art Nouveau. By Emily E. Stormer, one of my favourite Lambeth artists, she has not held back in the execution of these vases.

Offered in excellent original condition, the vases are both clearly signed with Emily Stormer’s initials, the assistant marks and the round “cog” and “England”, dating these vases to the 1890s. Buy the pair as a real statement. You will not be disappointed.

Offered for sale is this very early 1871-1872 gourd vase by the famous Arthur Barlow. Arthur was brother to the famous Hannah Barlow. Extremely disabled from an accident as a child, Arthur Barlow found his purpose and explored his gifts at Doulton Lambeth. He became one of the sought after artists representing often the best of the early 1870s work. He died young in 1877, so his work is rare.

For sale we this delightful and cute little CH Brannam “open salt” decorated with two surprisingly detailed fish dating to 1901. This is the work of Frank Thomas, one of the better known artists for the potter. The fish are surrounded by various colourful waterplants. It is a little gem of a piece.

Condition

Offered in excellent original condition with no chips, cracks or restoration.

Authenticity

For authenticity, beneath, we have the registration number of CH Brannam, “Rd 44561”, the signature CH Brannam Barum, the signature “FT” signifying the work of Frank Thomas and the date 1901.

C.H. Brannam Barum Sgraffito Fish Jug by Thomas Liverton (1908)

This substantial CH Brannam art pottery jug, dated 1908, is a highly representative example of the Devon-based pottery’s Edwardian output. Measuring 17.5cm in height and 25cm across its widest point (including the handle), the vessel features a strong, squat bulbous body, a broad neck, and a sturdy applied handle.

Design and Decoration The jug is finished in a rich, deep green ground and ornamented using the sgraffito technique that became a hallmark of Brannam’s art wares. The primary decoration features a dynamic aquatic motif with two distinct fish: a beautifully detailed carp and a highly unusual, rare depiction of a sturgeon. These central figures are surrounded by stylized aquatic elements, including incised lily pads, undulating pond weed, and swirling water patterns. These accents are picked out in contrasting colored slips of deep blue, pale green, and earthy brown, showcasing a clear Art Nouveau influence.

Condition The item presents in very good, original condition considering Brannam’s fragile clay. There is a distinct, triangular loss of glaze located near the head of the carp. Additionally, the rim features a glazed-over imperfection; this is a pre-firing manufacturing anomaly rather than subsequent damage, offering a glimpse into the artisanal firing process. The remainder of the vessel displays age-related wear while retaining a highly vibrant and glossy glaze. No restoration is observed throughout.

Authenticity and Marks The base of the jug is fully marked and authenticated. It is clearly incised with the signature C.H. Brannam Barum, the date 1908, and the design registration number Rd 44561. Crucially for collectors, it bears the distinct TL monogram, identifying the decorator as Thomas Arthur Liverton, one of the pottery’s premier artists during this era.

C.H. Brannam Barum Sgraffito Bottle Vase (1890)

This striking bottle vase, measuring 15.5cm in height and 8.5cm in width, is a fine representative example of the distinctive sgraffito ware produced by C.H. Brannam at the end of the 19th century. Dated 1890, the vessel is defined by a classic globular body that sharply transitions into an elongated, slender neck, resting upon a short, neat foot rim.

The tactile surface showcases a highly disciplined use of the sgraffito technique, juxtaposing a rich, glossy forest green glaze against a pale, cream-colored stippled ground. The decoration is strictly structured: the shoulder features a bold, radiating striped motif that anchors the base of the neck. The primary body is divided into panels by sweeping, arched green borders that frame stylized, symmetrical botanical and palmette designs. The intricate stippling of the negative space provides substantial depth and texture, typical of Brannam’s best art wares.

The underside bears the clearly incised signature “CH Brannam Barum 1890”, firmly dating its production. The vase presents in excellent antique condition, retaining a vibrant and lustrous glaze. There is a minor 4mm nibble to the interior of the top rim, which is historically consistent with the fragile nature of the earthenware body and does not detract from the piece’s strong display presence.