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William Moorcroft Pomegranate Vase – M55 Shape (c. 1910s–1920s)

A beautiful example of early William Moorcroft craftsmanship, this small Pomegranate design vase embodies the timeless charm of Moorcroft’s celebrated Burslem period. Measuring approximately 6.5cm in height and 8cm in width, the vase is modelled in the distinctive M55 shape, perfectly proportioned for display.

The decoration features four richly painted pomegranates, evenly spaced around the rounded body, each enhanced with deep green foliage and clusters of blue-purple berries that provide a striking contrast. The design is crowned with a warm ochre glaze running up to and including the rim—an unmistakable hallmark of Moorcroft’s early Burslem output.

To the base, the vase bears a full William Moorcroft signature in green, together with impressed marks reading Moorcroft, Burslem, M55. The piece remains in excellent, unrestored condition, showing only the fine glaze crazing typical of early Moorcroft pottery, with no damage or repairs.

A lovely, well-balanced example of William Moorcroft’s iconic Pomegranate design, this vase would make a fine addition to any Moorcroft collection or serve as a statement piece in its own right.

For sale we have a superb quality double-gourd Florian Daisy vase by William Moorcroft dating to around 1902. An early piece of Florian Ware in the daisy pattern, with its vibrant green and blue hues, is not just a decorative item but a testament to Moorcroft’s artistic vision and technical skill. This piece captures the essence of the Art Nouveau movement and the early 20th-century fascination with nature, making it a prized artifact from the golden age of British art pottery.

In excellent original condition with no chips, cracks or prior restoration. The piece is signed “W Moorcroft Des” in green ink entirely correct for the period.

Martin Brothers Early Stamped Small Jug

For sale is this truly delightful early Martin Brothers jug, dated 23-06-1880. Rare to find, this jug is stamped with the early “R.W. Martin Southall” stamp which dates it authentically to 1880.

To the top half, the jug has been coloured with a mix of rich brown and light metallic oxides to give the brown an additional sheen to it. Beneath, bandings of small circles and lines separate the brown top section from the framing of the zig-zag simple foliate and flower desgned motifs. A subtle olive-green presents in the centre bandng and onto the jug handle for further contrast to this wonderful early piece.

Beneath, the R.W. Martin Southall” stamp is clear as well as the hand-inscribed date of 23-06-1880.

This piece is in wonderful orginal condition and is free from any chips, cracks or repairs. It measures 14cm tall by approximately 10.5cm wide including the handle.

This is Martin Brothers in its simple authenticity, in wonderful condition. Adding it to your collection will not disappoint and it is a lovely size for a cabinet.

For sale is an exceptionally high quality Doulton Lambeth bowl, dating 1875. Made by renowned early artist Arthur Barlow, he was the brother to similarly famous Hannah Barlow. The bowl is intricately decorated to the body in typical, rich 1870’s style, with strong influences from George Tinworth. This can be observed by the beaded scrollwork around the circumference, and the two cherub-like putti emerging from trumpeted flowers. The putti are highly likely the work of Tinworth or John Broad, known to add collaboration design to other artists’ pieces. The colours and rich glaze are glorious. The blues are vibrant, and the purple tones so, so alluring.

For sale is what can only be described as an “uber-rare” Doulton Lambeth bowl by renowned artist Florence Barlow. It dates to 1877 – a lovely early piece. With birds in relief scrolling down to form feet, this is the only piece of its kind I have seen by Florence Barlow, or even remotely similar! Florence focussed on birds – yes – but she painted remarkably realistic birds in the pate-sur-pate technique onto the facia of her pieces. On this earlier piece, Florence has executed beautiful and bold aesthetic design to the main body, of which I have seen examples before. She has then opted to add three birds gracing the sides and footing of the bowl, which take its quality to the next level.

The bowl stands 13.5cm high but significantly wider at 23cm. It therefore has a lovely presence and its moderate size would suit a collectors cabinet or be a centre piece on a hall table, sideboard or mantle.

Presented in outstanding original condition, there are no chips, cracks or restoration. The bowl beneath shows the round Doulton Lambeth stamp and date 1877. It further shows the signature of Florence Barlow “FEB” together with assistant marks and code numbers.

Doulton Lambeth Hannah Barlow Lions Biscuit Barrel (c. 1890s)

A magnificent and exceptionally rare piece of late 19th-century British Art Pottery. This Doulton Lambeth biscuit barrel features an exquisite, 360-degree sgraffito study of a lion pride—depicting a majestic male lion, two lionesses, and a young male—incised directly into the clay by legendary artist Hannah Barlow. Complete with its beautiful original lid, it stands in pristine, untouched condition.

• Dimensions: 15 cm H × 13 cm W (base)

• Condition: Perfect, unrestored original condition

• Marks: Stamped Doulton Lambeth “cog” mark with “ENGLAND”, incised HB monogram, and factory pattern numbers

A superlative collector’s item representing the pinnacle of Hannah Barlow’s wild animal studies.

DM for pricing and availability!

Early R.W. Martin Salt-Glazed Mustard Pot (April 1874)

This historically significant salt-glazed mustard pot, measuring 9cm in height and width, represents a rare early work by Robert Wallace Martin. Dated to April 1874, the piece features a squat, bulbous body transitioning to a structured neck and a domed lid with a sculpted finial. It retains its original pewter metal hinge mount, complete with a traditional spoon aperture.

The vessel is heavily decorated, utilizing a deep cobalt blue glaze that contrasts sharply with the textured buff stoneware ground. The exterior displays a vigorous, deeply incised pattern of stylized foliate and fern-like motifs around the lower body. This is complemented by a continuous band of repeating wavy arches at the neck and radiating petal designs upon the lid.

The underside bears the clear, incised signature “R W Martin”, alongside the pattern code “A36” and the date “4-74”, firmly placing its production in the pivotal early months of Wallace’s independent career.

Condition & Restoration Opportunity: While the main body, metal mount, and lid present strongly, the angular handle has sustained four breaks and currently exhibits old, crude adhesive repairs. This presents an excellent, straightforward project for a professional ceramic restorer or a dedicated collector. Once sympathetically restored, this piece will stand as a highly displayable and historically important 1870s artifact.

For sale is this exquisite, early Florian Ware vase by William Moorcroft, dating to around 1902. Decorated with what we believe to be forget-me-nots surrounded by whisps of foliage, it is a little firecracker at only 7cm tall! With warm blues and greens, under light in our cabinets it really does look magnificent. The whole vase from top to toe is brimming with decoration which also makes it so appealing.

William Moorcroft at the time of making this piece was working for James MacIntyre & Co, where he became very successful with Florian Ware and after they closed his department, he continued in his own name to go onto become one of the most successful art potters of his time.

Offered for sale in excellent original condition, this vase has had no damage or restoration. It has the “William Moorcroft Des” signature in green, present and correct for the period. “Des” indicated he was the designer working for MacIntyre and is most often seen following his name on these early pieces.

For sale is a piece of Florian “Green and Gold” by William Moorcroft circa 1903-08. In double gourd shape, it is arguably one of the most desirable shapes to secure in your collection. At 27.5cm tall, it is a substantial piece. It counts three flower and tulip buds each to the top of the vase with the same again to the bottom gourd of the vase, so twelve buds in total. The gilt is in excellent condition so this piece really “pops” in a display cabinet.

The vase is being sold in excellent original condition with no damage or restoration. Beneath, the Florian Ware stamp and William’s flash signature in green is present and correct.

For sale we have this tall and commanding Doulton Lambeth vase by George Tinworth. It is an early piece, dating to 1876.

George has used his signature “Seaweed Scroll” design across the vase to great effect, with subtle green seaweed contrasted against a rich brown background. The beading work to the scrolls is refined and delicate. Geometric tactile borders reside above and below the scrolling, with vertical leaf patterns extenuating the narrow base section to give interest and play to its height. The leaves also have subtle purples and pinks in them, which really adds to the piece overall. Inside the rim, the purple is evident again and adds further contrast to a well executed vase by Doulton Lambeth’s master artist.

Presented in undamaged original condition, the vase is stamped correctly beneath with the oval Doulton Lambeth stamp and the date 1876. This vase was originally one of two, and only one was signed with the GT monogram to the main body, which was a typical scenario. The picture of the other vase is provided below as proof that this piece is 100% a George Tinworth vase. Offered for sale at a very competitive price. The buyer will not be disappointed!

Antique Doulton Lambeth Stoneware Jug with Victorian Silver Rim

Overview

This exceptional Doulton Lambeth stoneware jug, dated 1878, represents a stunning example of late 19th-century British art pottery. Hand-decorated by renowned artist Florence Barlow, this piece balances rich cobalt glazes with delicate, organic forms. A hallmarked Victorian silver rim crowns the vessel, adding a layer of functional luxury to a celebrated art pottery design.

Description

The jug features an ovoid body transitioning into a flared neck and an elegant strap handle. Striking vertical panels define the design, alternating between deep cobalt blue and soft cream glazes. Raised white beaded slipwork accents the central seams, introducing rhythmic texture to the smooth glaze. Near the foot and neck, stylized feather and leaf motifs flow naturally around the body, highlighting the movement inherent in Barlow’s work. A hallmarked Victorian sterling silver rim from Birmingham caps the top, providing a crisp contrast to the earthy stoneware.

About Florence Barlow & Her Style

Florence Elizabeth Barlow ranks among the most influential decorators of the Doulton Lambeth studio, where she worked from 1873 to 1909. Alongside her sister Hannah Barlow, Florence pioneered early studio ceramics for women during the Arts and Crafts movement.

While Hannah specialized in incised animal scenes, Florence gained acclaim for her delicate botanical treatments, bird studies, and structural foliate patterns. Her work relies on flowing forms, texture, and natural harmonies. This jug highlights her mastery of line, space, and applied slip decoration, showcasing her refined decorative balance.

Provenance & Marks

The underside bears clear, authentic factory marks confirming its origin:

• Manufacturer Mark: Impressed circular “Doulton Lambeth” mark with the production year 1878.

• Artist Monogram: Incised “FEB” monogram for Florence Elizabeth Barlow.

• Assistant Marks: Additional impressed assistant monograms, including “HW” (Henry Winstanley).

• Silver Rim: Fully hallmarked Victorian sterling silver from the Birmingham assay office.

Condition & Dimensions

• Condition: Excellent original condition. The piece shows no damage, cracks, chips, or restoration. The silver rim remains securely fitted with light, age-appropriate patina.

• Height: 22 cm

• Width: 13 cm (approximate)

Collector’s Summary

Early dated pieces by Florence Barlow remain highly prized by collectors of Victorian art pottery and Arts and Crafts design. The combination of Barlow’s distinct hand-carved detailing, rich glaze execution, and a hallmarked silver mount makes this piece a rare and valuable addition to any serious collection.

Martin Brothers Gnarly Olive Jug

Presenting an exceptional, historic gnarly-designed Martin Brothers art pottery jug, measuring approx. 22.5cm in height and 12.5cm in diameter. This piece from a highly sought-after potter features a robust baluster form jug, resting securely on a flared circular foot. Its gnarly silhouette is defined by a bulbous lower body that tapers into a cylindrical neck, culminating in a sweeping pouring lip and an applied, sturdy strap handle.

The jug is characterized by its tactile, heavily ribbed texture, a testament to its hand-thrown origins by eccentric brothers. A rich, dark olive-brown salt glaze dominates the meticulously textured body and handle. This deep, lustrous finish contrasts strikingly against the lighter, biscuit-toned clay left exposed at the rim, the interior, a thin defining band at the shoulder, and the foot. This earthy, two-tone palette masterfully accentuates the horizontal throwing lines that encircle the entire vessel.

Beneath the foot, the unglazed natural clay base proudly bears the authentic, hand-incised cursive signature reading “Martin” and “London”, securing its prestigious provenance. Preserved impeccably, this remarkable piece presents in excellent, original, and entirely undamaged condition, making it a museum-quality acquisition for discerning collectors of late 19th and early 20th-century British studio pottery.

Extremely Rare William Moorcroft Flambé Bowl – Spanish Pattern (c. 1910–1916)

This exceptionally rare flambé bowl is a remarkable example of William Moorcroft’s artistry and experimental mastery during the early Burslem period. Measuring 23cm in diameter and 7cm in height, the bowl is decorated in the highly desirable Spanish pattern, one of Moorcroft’s most striking floral designs, introduced around 1910 and produced only for a short period.

The interior reveals the hallmark tubelined decoration, with three large Spanish flowers at the centre and four medium blooms gracefully arranged around the upper edges. The exterior continues this flowing design, displaying three further large flowers evenly distributed around the circumference. The entire piece glows with a rich, iridescent pinkish-red flambé glaze, a finish Moorcroft frequently undertook personally in his kiln experiments. On this example, subtle overfiring to one side provides both visual depth and a tangible reminder of its experimental origins.

The underside is especially striking, showing intense iridescence with oily rainbow hues, reminiscent of a delicate film of light across a surface—an effect unique to flambé glazes of this period. Beneath, the bowl bears no painted signature, though its authenticity is undisputed, confirmed by its important provenance as part of the Moorcroft Museum Collection, where it was catalogued and retains its original label: “Moorcroft Museum, 00461.”

The Spanish pattern itself is historically significant, reflecting William Moorcroft’s early exploration of bold, stylised floral motifs, influenced by the Arts and Crafts movement and Art Nouveau aesthetics. Produced only in the early 1910s and in relatively small numbers, Spanish pattern pieces are today exceptionally rare, with flambé-fired examples being among the most coveted of all early Moorcroft works.

This superb and rare bowl, with its museum provenance, flambé glaze, and iconic Spanish design, represents a true collector’s piece—an opportunity to acquire an object of both aesthetic beauty and considerable historical importance within the oeuvre of William Moorcroft.

Doulton Lambeth Sgraffito Horse Vase | Hannah Barlow & Florence C. Roberts

A superb piece of early 20th-century British Art Pottery. This Doulton Lambeth vase showcases a continuous 360-degree sgraffito scene depicting six horses, foals, and farm buildings. Hand-incised by renowned artist Hannah Barlow, the central band is framed by rich cobalt blue and tubelined floral borders created by artist Florence C. Roberts.

• Dimensions: 27 cm H × 13 cm W

• Condition: Perfect, unrestored original condition

• Marks: Stamped with the Royal Doulton Lambeth mark, incised HBB and FcR artist monograms, and factory series numbers

An extraordinary collector’s piece combining exceptional provenance, rare collaborative artistry, and pristine preservation.

DM for pricing and purchase details!

Early Martin Brothers Salt-Glazed Open Salt Dish (Circa 1880s)

This distinctive open salt dish, crafted by Robert Wallace Martin of the renowned Martin Brothers pottery, dates to the 1880s and represents a superb example of early British art pottery. The piece features a robust, architectural form with a squared, lobed profile resting on four domed feet.

The exterior is defined by tactile detailing, utilizing a raised, beaded border that frames the upper and lower registers. The flat sides showcase a recessed, vertically fluted arcade motif, which contrasts sharply with the smooth, sweeping curves of the prominent corners. A rich, earthy palette characterizes the dish: the interior basin and upper sections are bathed in a mottled ochre and mustard-yellow glaze, while the lower corner sections exhibit a deep, resonant cobalt blue.

The underside bears the clearly incised signature “Martin Bros, London & Southall,” authenticating its early origins. Notably, the base retains a label from the esteemed Whitley Collection, providing highly desirable provenance for the discerning collector.

The dish presents in exceptional, unrestored original condition, free from subsequent damage or repairs. It exhibits small authentic, in-manufacture firing cracks—visible within the interior basin and underside—which are inherent to the early Martin Brothers firing process and do not detract from its structural integrity or historic appeal.

For sale is a wonderful, early Martin Brothers aquatic jug dated January 1884.

Aquatic Jug – Robert Wallace Martin

The Martin Brothers were renowned for their extraordinary skill in ceramics, known for their unique and imaginative designs. This jug, likely crafted by Robert Wallace Martin, embodies these characteristics. Robert, the eldest of the Martin brothers, was celebrated for his detailed and creative work. His pieces often drew inspiration from nature, as seen in the lifelike representations of marine life on this jug.

Condition and authenticity depiction of the skate, mackerel, and eels adds a dynamic and captivating element to the piece. These features are typical of Robert Wallace Martin’s work, known for infusing personality

In summary, this piece is beautiful, highly original  and its condition is immaculate, with no damage or restoration. The detailed skate, mackerel, and eels, set against a naturalistic background, showcase the remarkable skill and creativity of the Martin Brothers. Signed and dated January 1884, this jug is a valuable and collectible example of their early work, sure to be cherished by the discerning collector.

Rare Doulton Lambeth Agate Ware Jug with Sterling Silver Rim, Dated 1892
A highly unusual and artistically rich piece from Doulton’s experimental Agate Ware range

This exceptional Doulton Lambeth Agate Ware jug, standing 20cm tall, is a rare and beautiful example of one of the studio’s most elusive ceramic techniques. Dated 1892, it combines striking form, complex surface decoration, and a unique blend of materials that exemplify the innovation and craftsmanship of late 19th-century Doulton.

The jug is of tapered form, with a rich marbling of variegated brown clay tones characteristic of agate ware—a technique involving the mixing of coloured clays to produce flowing, stone-like patterns across the surface. These naturalistic swirls serve as a dynamic backdrop for a wealth of textural and decorative detail.

The surface features fine vertical linear striations, adding subtle texture, and is punctuated by zigzag miniature impressed motifs that create rhythmic surface interest. Two bold, raised wicker-effect bands—one encircling the base and another just below the collar—add further structure and visual weight to the form. A particularly striking feature is the flamboyant, flared handle, sculpturally sweeping from shoulder to rim with a confident, organic curve.

Crowning the jug is a solid sterling silver mount, hallmarked for London, 1892, and made by the respected silversmiths Cornelius Desormeaux Saunders & James Francis Hollings (Frank) Shepherd. The addition of silver not only elevates the piece but situates it firmly within the decorative luxury market of the time.

To the base are impressed marks including the Doulton Lambeth cogwheel stamp, “England”, the series number 7191, and the incised monogram of decorator Elizabeth Atkins, one of the documented artists of the period.

Agate Ware pieces from Doulton are exceedingly scarce, produced only in limited quantities and rarely seen on the open market today. Their technical difficulty and aesthetic complexity make them among the most desirable of all Lambeth studio wares.

A superb and tactile piece with exceptional presence—this jug would make a standout addition to any advanced collection of Victorian art pottery.

Dimensions: 20cm tall
Condition: Excellent with no restoration
Marks: Doulton Lambeth stamp, “England”, 7191, silver hallmarks (London, 1892), maker’s mark (CS over FS), Elizabeth Atkins monogram

William Moorcroft Pomegranate Vase (Circa mid-1920s)

Presenting a fine William Moorcroft vase in the highly sought-after Pomegranate pattern, dating to the mid-1920s. Measuring 13cm in height and 9.5cm in width, the vessel features a well-proportioned baluster form with a gently flared rim and a sweeping circular foot. The piece survives in excellent original condition, completely free from chips, cracks, or restoration.

The tube-lined decoration displays the iconic Pomegranate design, featuring a continuous frieze of both whole and open fruit revealing intricately detailed seeds. These are interspersed with lush clusters of rounded berries and trailing autumnal foliage. The vibrant ochre, russet, and deep crimson tones of the pomegranates contrast strikingly against the characteristic inky cobalt blue ground, which transitions subtly to a mottled greenish-ochre toward the upper rim. The high-gloss glaze remains rich and reflective, enhancing the depth of the metallic oxide colors.

The underside displays the impressed factory marks “MOORCROFT” and “MADE IN ENGLAND”, alongside William Moorcroft’s painted “WM” flash monogram in blue, confirming its authentic mid-1920s production period.

For sale we have this outstanding quality Hannah Barlow biscuit barrel decorated with six cats in various states from relaxation to spats! The navy sgraffito work is some of the best we’ve seen and is a testament to her skills as a master ceramicist at Doulton Lambeth. This piece looks so good we decided to display it for a couple of years before deciding to put it up for sale. The barrel boasts one large work of a sleeping cat, two cats having a stand-off spat, and three others sitting and socialising. Such as endearing piece. The top and bottom borders are bands of mini florettes and blue rush groups repeated all the way around. Two blue lug handles finish the effect on either side.

Condition wise, there are a few things to mention here. First, and rather obviously, the lid has gone missing and this is an old replacement lid that came with the piece when we acquired it. The original lid would have been stoneware. Secondly, the top rim has two nibbles (one 5mm and the other 1mm) and the top inside rim also has two nibbles (one 8mm and the other 5mm). The base edge has one 2mm nibble. Other than this, there are no other cracks, chips or any restoration to the piece. The photos clearly show the condition. Beneath, we have Hannah Barlows “HBB” monogram together with the shape code 498 and the Doulton Lambeth cog and “England” present and correct. This places the production of the piece around the early 1890s.

If as a collector you can look past the lid and a few nibbles to the tremendous quality of this example, this is a piece that will give you a lot of enjoy.