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Martin Brothers Early Stamped Small Jug

For sale is this truly delightful early Martin Brothers jug, dated 23-06-1880. Rare to find, this jug is stamped with the early “R.W. Martin Southall” stamp which dates it authentically to 1880.

To the top half, the jug has been coloured with a mix of rich brown and light metallic oxides to give the brown an additional sheen to it. Beneath, bandings of small circles and lines separate the brown top section from the framing of the zig-zag simple foliate and flower desgned motifs. A subtle olive-green presents in the centre bandng and onto the jug handle for further contrast to this wonderful early piece.

Beneath, the R.W. Martin Southall” stamp is clear as well as the hand-inscribed date of 23-06-1880.

This piece is in wonderful orginal condition and is free from any chips, cracks or repairs. It measures 14cm tall by approximately 10.5cm wide including the handle.

This is Martin Brothers in its simple authenticity, in wonderful condition. Adding it to your collection will not disappoint and it is a lovely size for a cabinet.

Doulton Lambeth Sgraffito Horse Vase | Hannah Barlow & Florence C. Roberts

A superb piece of early 20th-century British Art Pottery. This Doulton Lambeth vase showcases a continuous 360-degree sgraffito scene depicting six horses, foals, and farm buildings. Hand-incised by renowned artist Hannah Barlow, the central band is framed by rich cobalt blue and tubelined floral borders created by artist Florence C. Roberts.

• Dimensions: 27 cm H × 13 cm W

• Condition: Perfect, unrestored original condition

• Marks: Stamped with the Royal Doulton Lambeth mark, incised HBB and FcR artist monograms, and factory series numbers

An extraordinary collector’s piece combining exceptional provenance, rare collaborative artistry, and pristine preservation.

DM for pricing and purchase details!

For sale is this diminutive vase, likely to have been made by Edwin Martin, the youngest of the Martin Brothers. This vase is tiny  – 4cm tall by 3.75cm wide! In low light, one might mistake it as being black, but under light a strong blue shows through. With a delicate little top rim, and traditional rounded shape, it really is a vase in miniature!

For sale is a stunning and substantial Late Cornflower vase by William Moorcroft, dating between 1925-1935. Decorated with eight large cornflowers in pinks and purples, the vase absolutely explodes with colour. Contrasting wonderfully against a white background, it displays extremely well and is an eye catching centre piece. At 9 inches or 23cm tall and with a circumference of almost 20 inches or 50cm, this is a fabulous size and worthy of any discerning collection.

Antique Doulton Lambeth Jug by Florence Barlow, Dated 1874
An exceptional early work by a pioneering female artist of the Victorian ceramic movement

This distinguished Doulton Lambeth stoneware jug, dated 1874, is a rare and early example of the artistry of Florence Barlow, one of the most important female designers of the Doulton studio and sister to the renowned Hannah Barlow.

The jug features a finely detailed upper register adorned with seven sensitively modelled horse heads, each emerging from the clay in low relief and encircled above and below by delicate beaded borders. The rendering of the horses—marked by expressive line and form—is particularly notable, as Florence would soon transition to specializing exclusively in birds, leaving animal subjects like these to her sister, Hannah. This piece therefore captures a brief and significant phase in her artistic development.

The slender neck and lower body are decorated with stylized blue foliate sheaf motifs, set within zigzag and florette borders, creating an elegant interplay of texture and design across the jug’s surface. The decorative vocabulary is restrained yet dynamic, reflecting the sophisticated aesthetic typical of early Doulton Lambeth wares.

To the base, the jug bears the oval Doulton Lambeth impressed mark with the date 1874 to centre, alongside an early version of Florence Barlow’s personal monogram, confirming its authenticity and origin.

This piece stands as a rare and important example of early Doulton art pottery and of Florence Barlow’s formative work. It would make a significant addition to any collection of 19th-century British ceramics or women’s art pottery.

Dimensions: Height: 23cm ;  Width: 14cm
Condition: The jug has had an older restoration around the rim, where the blue rim border has been repainted. This has been done to a fair standard but due to the age of the repair, there is some age crackling to the restoration. Three florettes have nibbles or chips. Other than this, the vase is untouched.

In 1873, Arthur Barlow crafted a remarkable Doulton Lambeth ewer, a testament to his exceptional skill and artistic vision. This ewer, notable for its generous proportions, is adorned with intricate scrolling beadwork, florette roundels, and elegant foliate designs. Characteristic of Barlow’s style, it features his distinctive banding in the background, adding depth and texture to the piece. The top of the ewer is crowned with a solid sterling silver lid, which is original and was crafted in London in 1873 by the esteemed silversmiths Richards & Brown.

The condition of this ewer is impeccable; it remains in its original state with no chips, cracks, or restoration, preserving its historical and aesthetic value. Beneath the foot of the ewer, one can find Arthur Barlow’s signature alongside the Doulton Lambeth oval stamp, authenticating its origin and craftsmanship.

For sale is a piece of Florian “Green and Gold” by William Moorcroft circa 1903-08. In double gourd shape, it is arguably one of the most desirable shapes to secure in your collection. At 27.5cm tall, it is a substantial piece. It counts three flower and tulip buds each to the top of the vase with the same again to the bottom gourd of the vase, so twelve buds in total. The gilt is in excellent condition so this piece really “pops” in a display cabinet.

The vase is being sold in excellent original condition with no damage or restoration. Beneath, the Florian Ware stamp and William’s flash signature in green is present and correct.