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Extremely Rare William Moorcroft Flambé Bowl – Spanish Pattern (c. 1910–1916)

This exceptionally rare flambé bowl is a remarkable example of William Moorcroft’s artistry and experimental mastery during the early Burslem period. Measuring 23cm in diameter and 7cm in height, the bowl is decorated in the highly desirable Spanish pattern, one of Moorcroft’s most striking floral designs, introduced around 1910 and produced only for a short period.

The interior reveals the hallmark tubelined decoration, with three large Spanish flowers at the centre and four medium blooms gracefully arranged around the upper edges. The exterior continues this flowing design, displaying three further large flowers evenly distributed around the circumference. The entire piece glows with a rich, iridescent pinkish-red flambé glaze, a finish Moorcroft frequently undertook personally in his kiln experiments. On this example, subtle overfiring to one side provides both visual depth and a tangible reminder of its experimental origins.

The underside is especially striking, showing intense iridescence with oily rainbow hues, reminiscent of a delicate film of light across a surface—an effect unique to flambé glazes of this period. Beneath, the bowl bears no painted signature, though its authenticity is undisputed, confirmed by its important provenance as part of the Moorcroft Museum Collection, where it was catalogued and retains its original label: “Moorcroft Museum, 00461.”

The Spanish pattern itself is historically significant, reflecting William Moorcroft’s early exploration of bold, stylised floral motifs, influenced by the Arts and Crafts movement and Art Nouveau aesthetics. Produced only in the early 1910s and in relatively small numbers, Spanish pattern pieces are today exceptionally rare, with flambé-fired examples being among the most coveted of all early Moorcroft works.

This superb and rare bowl, with its museum provenance, flambé glaze, and iconic Spanish design, represents a true collector’s piece—an opportunity to acquire an object of both aesthetic beauty and considerable historical importance within the oeuvre of William Moorcroft.

Martin Brothers Imp playing the Blocks – Robert Wallace Martin

For sale is this delightful and cheeky looking imp playing the blocks. It is in excellent condition, with a very minor old “touch in” to the tip of the block instrument. Otherwise it is in wonderful original condition. It hails from the prominent collection of Barry Stock, a well known collector based out of the UK.

The Martin Brothers Imps are a fascinating and highly collectible series of grotesque figures, each one depicting a whimsical imp engaged in playing various musical instruments. These figures, created by the renowned Martin Brothers, are celebrated for their unique blend of humor, artistry, and intricate craftsmanship. The Martin Brothers—Robert Wallace Martin, Edwin Martin, Walter Martin, and Charles Martin—were pioneers in the field of ceramic art during the late 19th and early 20th centuries. They are best known for their imaginative and often eccentric creations, which have garnered a dedicated following among collectors and art enthusiasts.

For sale is a delightful and very early Hannah Barlow Horses jug, dated 1874. Presented with two horses galloping to the front of the jug, wild grasses adorn the rear of the jug. Blue foliate designs dominate the neck up to the top rim and are typical of these early, simpler designs that are more understated than flamboyant. The handle is similarly decorated in repeated blue foliates from bottom to top.

In excellent condition, the piece is highly original, with only a small flake invisibly corrected to the rim. Everything else is correct and original as the day it left the factory. Stamped with the early oval Doulton Lambeth mark and dated 1874. Hannah Barlow’s initials are clear beneath as well as a production code.

This is a superb piece of Doulton Lambeth history which displays superbly and has a wonderful glaze to it. Should you be interested, you will not be disappointed adding it to your collection!

For sale is a wonderful, early Martin Brothers aquatic jug dated January 1884.

Aquatic Jug – Robert Wallace Martin

The Martin Brothers were renowned for their extraordinary skill in ceramics, known for their unique and imaginative designs. This jug, likely crafted by Robert Wallace Martin, embodies these characteristics. Robert, the eldest of the Martin brothers, was celebrated for his detailed and creative work. His pieces often drew inspiration from nature, as seen in the lifelike representations of marine life on this jug.

Condition and authenticity depiction of the skate, mackerel, and eels adds a dynamic and captivating element to the piece. These features are typical of Robert Wallace Martin’s work, known for infusing personality

In summary, this piece is beautiful, highly original  and its condition is immaculate, with no damage or restoration. The detailed skate, mackerel, and eels, set against a naturalistic background, showcase the remarkable skill and creativity of the Martin Brothers. Signed and dated January 1884, this jug is a valuable and collectible example of their early work, sure to be cherished by the discerning collector.

William Moorcroft “Claremont” Vase – Shape M55, c.1925
A vibrant and highly desirable example of one of Moorcroft’s most celebrated patterns

This exquisite M55-shaped William Moorcroft vase, dating to the mid-1920s, showcases the iconic Claremont pattern—one of the most sought-after designs in the Moorcroft repertoire.

Encircling the body are ten finely tubelined toadstools, rendered in vivid and varied tones: four rich reds, four warm yellows, and two deep, velvety blues. Each cap is detailed with Claremont’s hallmark speckled surface and beautifully defined gill undersides—an artistic hallmark that makes this pattern so visually captivating. The base colour merges lush green and inky blue glazes, creating a moody, woodland atmosphere that complements the naturalistic subject matter.

To the underside, the vase bears the impressed marks “Moorcroft” and “Made in England”, along with the model number “M55”, confirming its authenticity and period origin.

A small, invisible professional restoration has been carried out to the top rim, precisely between a large yellow and large red toadstool. The restoration is of a high standard, with only a subtle uniformity of colour betraying the repaired area under close inspection. Importantly, the most visually dominant red toadstool sits on the opposite, untouched side, making this piece an outstanding display example.

Compact in scale but striking in design, this Claremont vase is a true collector’s gem—a perfect representation of Moorcroft’s artistry during the golden period of British Art Pottery.

Dimensions: Height: 7cm; Width 8cm
Condition: Professionally restored rim; still displays beautifully

Rare George Tinworth for Doulton Lambeth – Stoneware Model of a Carpenter’s Bag (c. 1880s–1890s)

This finely modelled stoneware study of a carpenter’s bag is a superb example of the whimsical yet highly skilled designs created under the direction of George Tinworth for Doulton Lambeth in the late Victorian period. Measuring approximately 13.5cm in length and 8.5cm in height, the model is remarkable for both its craftsmanship and detail.

The body of the bag is finished in a warm creamy light brown glaze, while the edges, straps, and handles are picked out in a contrasting darker hue, emphasising the form and adding depth. One side of the bag is richly decorated with Victorian-era woodworking planes, while the opposite side, open and more restrained, reveals only a woodsaw within. On the integrated stoneware plinth, tools of the trade—a mallet to one side and a chisel or file to the other—are carefully arranged, grounding the piece in the world of the Victorian craftsman.

This model captures Tinworth’s hallmark ability to combine utility, charm, and social observation in a single work of art. Pieces such as this, with their humour and realism, were often intended as conversation pieces and today are regarded as rare and highly sought-after examples of Doulton Lambeth artistry.

The base carries the impressed Doulton Lambeth circular mark, together with the initials “EMW”—likely one of the assistants or moulders working under Tinworth’s direction—along with the registration stamp “Rd” and the series number 162583. The piece remains in excellent, unrestored condition, free from cracks or repairs.

A wonderful and rare George Tinworth study, this model exemplifies the creativity and craftsmanship of the Doulton Lambeth workshops at their height and represents a fine acquisition for the discerning collector of Victorian stoneware and Tinworth’s celebrated oeuvre.

For sale is this stunning, early Spanish pattern trumpet vase by William Moorcroft. Decorated with an abundance of flowers and foliage using reds, oranges and greens to fantastic effect, this small vase is truly something to behold. The decoration begins from the vases hip, with flowers arranged around the vase. The inside of the top rim is similarly decorated with flower buds to really make the vase pop with colour and elegance.

The vase presents superbly throughout. To note is an area of invisible restoration beneath the hip and also a very fine small hairline to the top rim. Close examination reveals the hairline occurred whilst the vase was new and before age crazing occurred. This is not visible on display and has to be carefully looked for. The

For sale is what can only be described as an “uber-rare” Doulton Lambeth bowl by renowned artist Florence Barlow. It dates to 1877 – a lovely early piece. With birds in relief scrolling down to form feet, this is the only piece of its kind I have seen by Florence Barlow, or even remotely similar! Florence focussed on birds – yes – but she painted remarkably realistic birds in the pate-sur-pate technique onto the facia of her pieces. On this earlier piece, Florence has executed beautiful and bold aesthetic design to the main body, of which I have seen examples before. She has then opted to add three birds gracing the sides and footing of the bowl, which take its quality to the next level.

The bowl stands 13.5cm high but significantly wider at 23cm. It therefore has a lovely presence and its moderate size would suit a collectors cabinet or be a centre piece on a hall table, sideboard or mantle.

Presented in outstanding original condition, there are no chips, cracks or restoration. The bowl beneath shows the round Doulton Lambeth stamp and date 1877. It further shows the signature of Florence Barlow “FEB” together with assistant marks and code numbers.