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For sale is this stunning, early Spanish pattern trumpet vase by William Moorcroft. Decorated with an abundance of flowers and foliage using reds, oranges and greens to fantastic effect, this small vase is truly something to behold. The decoration begins from the vases hip, with flowers arranged around the vase. The inside of the top rim is similarly decorated with flower buds to really make the vase pop with colour and elegance.

The vase presents superbly throughout. To note is an area of invisible restoration beneath the hip and also a very fine small hairline to the top rim. Close examination reveals the hairline occurred whilst the vase was new and before age crazing occurred. This is not visible on display and has to be carefully looked for. The

For sale we have this utterly georgous and unusual Doulton Lambeth vase by George Tinworth. It is an early piece made during his most inspired period, dating to 1877.

Unlike his most common “signature Seaweed Scroll” design, George has opted to do something different here. He has used the same base design as the seaweed, but made upright frond spears. This is unusual and a far rarer vase for it. Large frilled fronds rise from the base, whilst large straight-edged fronds drop from the neck. Each set of fronds is dissected by a white diamond pattern border, which very unusually have their own foliate edging. The colourway really makes this vase stunning. The spears are in Doulton’s gorgeous green, whilst the background is a terrific bold blue. The high shine glaze of the piece sets the colours off as you expect in a high quality piece like this. To finish things off, George has very boldly placed his “GT” monogram at the lower end of the vase between the frond spears.

Presented in superb original condition, the vase is stamped correctly beneath with the Doulton Lambeth stamp and dated 1877. It further has the marks of the assistant “E.L.H”, all typical of George’s work in this period. We cannot iterate enough what a gem this vase is and it will absolutely thrill its new owner!

In 1873, Arthur Barlow crafted a remarkable Doulton Lambeth ewer, a testament to his exceptional skill and artistic vision. This ewer, notable for its generous proportions, is adorned with intricate scrolling beadwork, florette roundels, and elegant foliate designs. Characteristic of Barlow’s style, it features his distinctive banding in the background, adding depth and texture to the piece. The top of the ewer is crowned with a solid sterling silver lid, which is original and was crafted in London in 1873 by the esteemed silversmiths Richards & Brown.

The condition of this ewer is impeccable; it remains in its original state with no chips, cracks, or restoration, preserving its historical and aesthetic value. Beneath the foot of the ewer, one can find Arthur Barlow’s signature alongside the Doulton Lambeth oval stamp, authenticating its origin and craftsmanship.

William Moorcroft “Claremont” Vase – Shape M55, c.1925
A vibrant and highly desirable example of one of Moorcroft’s most celebrated patterns

This exquisite M55-shaped William Moorcroft vase, dating to the mid-1920s, showcases the iconic Claremont pattern—one of the most sought-after designs in the Moorcroft repertoire.

Encircling the body are ten finely tubelined toadstools, rendered in vivid and varied tones: four rich reds, four warm yellows, and two deep, velvety blues. Each cap is detailed with Claremont’s hallmark speckled surface and beautifully defined gill undersides—an artistic hallmark that makes this pattern so visually captivating. The base colour merges lush green and inky blue glazes, creating a moody, woodland atmosphere that complements the naturalistic subject matter.

To the underside, the vase bears the impressed marks “Moorcroft” and “Made in England”, along with the model number “M55”, confirming its authenticity and period origin.

A small, invisible professional restoration has been carried out to the top rim, precisely between a large yellow and large red toadstool. The restoration is of a high standard, with only a subtle uniformity of colour betraying the repaired area under close inspection. Importantly, the most visually dominant red toadstool sits on the opposite, untouched side, making this piece an outstanding display example.

Compact in scale but striking in design, this Claremont vase is a true collector’s gem—a perfect representation of Moorcroft’s artistry during the golden period of British Art Pottery.

Dimensions: Height: 7cm; Width 8cm
Condition: Professionally restored rim; still displays beautifully

For sale we have this tall and commanding Doulton Lambeth vase by George Tinworth. It is an early piece, dating to 1876.

George has used his signature “Seaweed Scroll” design across the vase to great effect, with subtle green seaweed contrasted against a rich brown background. The beading work to the scrolls is refined and delicate. Geometric tactile borders reside above and below the scrolling, with vertical leaf patterns extenuating the narrow base section to give interest and play to its height. The leaves also have subtle purples and pinks in them, which really adds to the piece overall. Inside the rim, the purple is evident again and adds further contrast to a well executed vase by Doulton Lambeth’s master artist.

Presented in undamaged original condition, the vase is stamped correctly beneath with the oval Doulton Lambeth stamp and the date 1876. This vase was originally one of two, and only one was signed with the GT monogram to the main body, which was a typical scenario. The picture of the other vase is provided below as proof that this piece is 100% a George Tinworth vase. Offered for sale at a very competitive price. The buyer will not be disappointed!

For sale we have a stunning, large Doulton Lambeth bowl by artist Elizabeth Fisher, dating to 1882. The colours and designs both inside and out on this bowl are of the first order, with geometric shapes integrated into softer rounded shapes. The collour way is exquisite – we have rich blues in the centre of the designs, followed by light blue, yellow and then purple and pink to create a most striking bowl. The edge is rimmed with solid silver, made in Birmingham and is original to manufacture.

The Bowl is free from any chips, cracks or restoration. The silver rim is original. Beneath we have Eliza Fisher’s signature, together with the marks of the assistant and thrower, a code “327” and the Doulton Lambeth cog stamp with the date 1882.

For sale is an exceptional and very early Doulton Lambeth jug by rare and sought after artist Emily J. Edwards, dated 1874.

The vase is decorated with natural green foliage swirls that have a dotted, textured outline. The background really lights this piece up and is most unusual, being a mix of lighter shades blended into bold pinks, purples and blues to create a breathtaking effect of aesthetic splendour. Banded, lined borders draw influence from Arthur Barlow’s work, her peer. The handle presents with bands of lined borders and leaves.

The vase is overall in very good condition with no restoration. We have identified a small, faint hairline to the top rim, but it is hardly noticeable, has no edge to the nail, and therefore we believe the jug is best left untouched as the rest of its condition is wonderful.

Beneath the foot is the clear monogram of Emily J Edwards and the early oval Doulton Lambeth stamp, together with the year 1874. Assistant marks are also present, which is to be expecte

For sale we have an early beautiful Doulton Lambeth ewer by rare artist Emily J Edwards, dating to 1875. The design work shows early Tinworth influences, however Emily was a very talented artist and brings her own creativity to the piece. Holly leaves hanging from beaded banding, and then a mix of florals and angular motifs to make this an impressive piece. The dotted collars at the base of the neck show influences from Arthur Barlow too, Adorned with a pewter lid, this piece is as authentic and original as they come. A lovely piece for a rare artist who is much rarer to find than other artists due to her short tenure.

The jug is free from any chips, cracks or restoration. The pewter rim is original. Beneath we have Emily’s signature, together with the marks of the assistant and thrower and the Doulton Lambeth oval stamp with the date 1875.